Organized by Amy Kitchener, executive director, Alliance for California Traditional Arts; Frances Phillips, program director, Arts & The Creative Work Fund, Walter and Elise Haas Fund.
Presented by Marion Coleman, artist; Russell Rodríguez, independent scholar and musician; Deborah Wong, chair and professor of music, University of California, Riverside.
Recognizing that audiences seek experiences beyond the observational, this session explores vibrant cultural participation in three Bay Area communities involving artists, informal networks, and institutions. Demonstrations and perspectives will be offered by three presenters who are creating African American quilts; Son Jarocho music, verse, and dance; and Taiko drum music. Each of these practices has achieved a critical mass of participation within and between culturally-specific, multi-cultural, local, and transnational communities, all of which are fostering new dialogues, practices, and collaborations. This discussion will involve contemplating ways we can learn from culturally-specific participatory practice in thinking about new modes of audience engagement; support structures for nurturing participatory practice; roles and relationships between institutions and artists; and epistemology within community contexts.