This Playground (poem)
i hold Oakland’s hand
like we have known each other in all our past lives
like her wrists click for me
but some days her hand loosens its grip
so i hold tighter
‘cause i am afraid if i let go
if i leave her
i will return to find
the lines in her palms have changed direction
Oakland never liked school.
she was the one in the back of the class
building her own revolution
while teachers spewed history that was never hers
Oakland knew not to take that shit
had too many scars to be called brilliant,
but the brightest cities don’t need streetlights or applause
to start protests
i always thought her a god
before i understood that not everyone
kneeled at her feet in praise
like i do
that gods like her be taken
have their skin brightened
their speech rearranged
kinda like jesus
and i am gripping her hand until it hurts
like i do not already know
i am losing
like i do not already know
she sees me as only a memory
as what she was
before they claimed her
worthy of the respect we always gave her
i whisper her lullabies every night,
tell her what the stars used to look like
before we were blinded by white
i say goodnight.
turn off the lights.
let go of her hand.
Copyright © 2018 Leila Mottley. Commissioned by Grantmakers in the Arts for this issue of the Reader.
Leila Mottley is sixteen and a student at Oakland School for the Arts. She was Oakland’s 2017 Vice Youth Poet Laureate and is a 2018 Youth Speaks Teen Poetry Slam winner. She is founder and president of her school’s Women of Color Club. She is a dedicated prison abolitionist and founded a youth-led program called Lift Every Voice, which brings together youth from different backgrounds in art advocacy workshops around youth incarceration. Poetry is her own personal revolution. To speak, when in many ways she feels silenced, is a way she protests the world around her. She also believes poetry is a bridge for the most raw connections, provoking uncomfortable conversations and propelling understanding.