The Arts Education for All Act is the broadest arts education policy bill ever introduced in Congress, and is currently working its way through the legislative process. Grantmakers in the Arts, in partnership with Americans for the Arts and National Association of Music Merchants, invites you to join us in formally supporting this legislation. You can learn more about the bill here, and submit this form to express support.
Farhad Ebrahimi, founder and president of the Chorus Foundation in Boston, MA, writes for The Forge on the subject of private philanthropy's future, and the structural reforms that are needed:
Philanthropy as it’s conventionally understood is the product of racial capitalism. As a result, I see progressive — or even radical — private philanthropy as, at best, a transitional form. If we seek to support transformational work, then we ourselves must be open to transformation. I like to think of this as a “just transition” for the philanthropic sector: we must directly challenge the conditions that produced the wealth inequality that allowed for private philanthropy in the first place.
Lara Davis reports from day 2 and day 3 of the Oakland conference:
I got up at 6:00 AM on the final day of the conference to attend a 7:30 AM session (ouch!) on Impact Investing in the Creative Economy. For most of us in the room, impacting investing was a newer concept. We were eager to learn about the diversity of resources available to build and sustain art-making endeavors through both philanthropic and investment opportunities.
Blogger Tram Nguyen offers some of her initial takeaways following the 2018 GIA Conference in Oakland, California:
Blogger Lara Davis reports on day one (Monday) at the GIA Conference in Oakland
Today’s post focuses primarily on young people and the arts, and artists, with a little bit of, well, everything that’s inspiring me.
GIA Conference blogger Lara Davis turns in her initial notes on the 2018 GIA Conference in Oakland, California.
When I walk the streets of downtown Oakland to attend various conference sessions, I think of Angela Davis who wrote about art on the frontlines, cultural organizing at the intersection of art and activism – people’s art as she deemed it, as exemplified by struggles for Black liberation which have always been steeped in musical, artistic, and cultural narratives.
GIA Conference Blogger Tram Nguyen reports from the preconference, Culture at the Intersection of Race, Space, and Place, that took place on Sunday, October 21, in Oakland, California.
GIA Conference blogger, Tram Nguyen reports from the conference, happening now in Oakland, California:
The preconference session on “Culture at the Intersection of Race, Space and Place” has my worlds colliding this Sunday morning in downtown Oakland.
Nia King interviews queer and trans artists of color about their lives and their work for her podcast We Want the Airwaves. In 2014, she self-published her first collection of interviews, Queer & Trans Artists of Color: Stories of Some of Our Lives, with co-editors Jessica Glennon-Zukoff and Terra Mikalson. She self-published Queer & Trans Artists of Color, Volume 2, edited by Elena Rose, in 2016. She is currently working on Queer & Trans Artists of Color, Volume 3. Nia’s freelance reporting and comics have appeared at Colorlines.com and the East Bay Express.
Tram Nguyen currently works as a management analyst leading housing and health equity policy at Alameda County Public Health Department. She was the executive editor of ColorLines magazine from 2001-2007, and has worked for racial equity through multiple initiatives, including authoring the book We Are All Suspects Now: Untold Stories from Immigrant Communities After 9/11 (Beacon, 2004). Tram holds a Masters in Public Policy from UC Berkeley’s Goldman School.