Philanthropic practice

“Some of the changes that we instituted during the pandemic were things that we were actually thinking about before,” said Rashad Cobb, community engagement program officer at the Greater Green Bay Community Foundation. He summarized, “These weren’t necessarily new ideas that we had never thought (of) before, but maybe the pace at which we would’ve implemented these ideas was sped up by the pandemic.”

In an Upack the Past feature in Al Jazeera, Donna J. Nicol writes, “From New Deal liberalism in the 1930s to the academic culture wars of the 1980s and the rise of Donald Trump, how White fears of losing power led to philanthropy that openly discouraged discussions of race and diversity.”

“Everyone in philanthropy can potentially play a role in supporting transformative racial justice work," remarks Lori Villarosa, founder and executive director, Philanthropic Initiative for Racial Equity (PRE) in a piece for PEAK Grantmaking blog. "But to unlock that potential, each person needs to apply racial equity and racial justice lenses to all aspects of their work. And grants professionals can be a driving force by both shifting practice and ensuring that the organization is impactfully looking at its work through both lenses.”

Victor Tavarez, John Harper, and Fay Hanleybrown present, “Four ways funders of collective impact efforts can help foster trust to strengthen collaboration and achieve greater impact,” in the Stanford Social Innovation Review.

GIA is sharing this blog post to as in introduction to the collaborative Racial Equity Coding Project being led by Doris Duke Charitable Foundation (DDCF) with Callahan Consulting for the Arts (CCA) and a cross section of grantmakers nation-wide.

We believe that what we count counts. GIA is participating in the Racial Equity Coding Project, the culmination of research led by Doris Duke Charitable Foundation (DDCF) with Callahan Consulting for the Arts (CCA), for just this reason.

This pandemic and the ongoing murders of Black people by the state has made eminently visible a crisis as old as the nation itself – structural racism. Our national grantmaking field has used this historic moment to increase support to Black, Indigenous, and People of Color (BIPOC) communities, as we should. With that said however, the national grantmaking field is already expressing some ambivalence about maintaining these changes going forward.

Last November, Memphis Music Initiative (MMI)’s Director of Grantmaking and Partnerships, Dr. Rychetta Watkins, attended the 2021 annual Grantmakers in the Arts Conference, which took place in the virtual world for a second year due to the ongoing pandemic. Dr. Watkins, along with MMI Executive Director Amber Hamilton, developed and hosted a panel on the topic of intermediary funders in the grantmaking space, centering the unique perspective of intermediary funders. Dr. Watkins shares a reflection following their conference session including the context in which intermediary funders operate, the benefits of this model, and the lessons traditional funders can learn from intermediaries.

"If you’ve taken a leap, what was the runway you needed? If you wanted to take a leap, but didn’t, what held you back?" writes guest editor Donita Volkwijn about the prompts for the latest edition of Nonprofit Wakanda Quarterly.

"We have to stop being afraid of the critique,” Joe Scantlebury, CEO of Living Cities says in the Chronical of Philanthropy. “We don’t improve in silence.”

Following an extensive national search, United States Artists’ (USA) Board of Trustees announced this month the appointment of Judilee Reed as its new President and CEO.

Angelique Power, president and CEO of the Detroit-based Skillman Foundation, speaks with eJewishPhilanthropy on the power — and necessity — of centering trust within grantmaking. "What’s complicated about philanthropy is that money and power are often synonymous," Power says, "And so while the sector is directed at helping, being the arbiter of how capital moves makes you — in some ways, it jeopardizes trust, just in that act right there. It creates this uneven scenario where people are coming to you asking for funding."