From artnet news:
Emergency Readiness, Response, and Recovery
While artists and arts organizations often play an active role in the healing process after disasters, the frequency of 21st century emergencies has also demonstrated that the arts and culture sector itself is highly vulnerable. Time and time again, creative careers and creative economies have suffered great loss and devastation, which has often included severe damage of unique cultural artifacts and venues. Cultural workers and arts organizations are generally underprepared for emergencies, and underserved when disasters strike.
National Coalition for Arts’ Preparedness and Emergency Response
The Coalition is a cross-disciplinary, voluntary task force involving over 20 arts organizations (artist/art-focused organizations, arts agencies and arts funders) and individual artists, co-chaired by CERF+ (Craft Emergency Relief Fund + Artists’ Emergency Resources) and South Arts. Coalition participants are committed to a combined strategy of resource development, educational empowerment, and public policy advocacy designed to ensure that there is an organized, nationwide safety net for artists and the arts organizations that serve them before, during and after disasters. Grantmakers in the Arts (GIA) members active with the Coalition have been meeting at GIA’s annual conference to guide and educate foundations, arts agencies, art service organizations and corporate grantmakers interested in becoming more emergency ready and effective in their emergency relief efforts and grantmaking. Click here for the executive summary of the Coalition’s 2014-2020 plan.
Recommended Resources & Publications
If you are currently working in an area affected by an emergency, the Coalition’s Essential Guidelines for Arts Responders is your first step.
Ten months after Hurricane Maria's devastation in Puerto Rico, Lin Manuel Miranda, award-winning composer, lyricist, and actor, his family, and Jeffrey Seller, producer of the Broadway hit Hamilton, have partnered with the Flamboyan Foundation to create the Flamboyan Arts Fund, as an effort to preserve the arts in the island.
Read More...The Andy Warhol Foundation for the Visual Arts announced it will award $3.6 million to 42 cultural organizations as part of its spring 2018 grant cycle.
Read More...The devastating impact of Hurricane Maria upon Puerto Rico in September 2017 has left despair and many questions on how to rebuild its infrastructure and also its people's future. Philanthropy and the work of nonprofits are a growing part of this ongoing conversation, rethinking the island’s daily dynamics.
Read More...Creative Sonoma has launched a recovery fund to support members of the creative community affected by the recent wildfires in the area. The funds will be available to individuals for immediate and short-term basic human and art related needs including shelter, medications, art supplies, instruments, and more. The organization has also created an online Creative Recovery Exchange, a peer-to-peer forum where artists and organizations can post their recovery-related needs and others can offer services, and goods to support them.
From artnet news:
Not-for-profit organizations dedicated to serving the Greater Houston arts and cultural sector have joined together to launch the Harvey Arts Recovery Fund.
The Fund will accept tax-deductible donations to provide aid to individual artists who suffered personal and professional losses during Hurricane Harvey and the flooding that followed, as well as financially assist small and mid-sized arts and cultural organizations rebuilding after Harvey.
A guest post on the Andrew W. Mellon Foundation’s blog describes how federal agencies like the National Endowments for the Arts and Humanities have been important in supporting disaster recovery:
An article in the Houston Chronicle surveys the damage of Hurricane Harvey to cultural institutions in the Houston Theatre District:
The Alley Theatre, which completed a $46.5 million renovation just two years ago, appears to have suffered the most damage so far, although arts companies will not be able to fully assess the destruction for a week or more.