Support for Individual Artists
GIA members have been working together to promote and improve funding for individual artists for over 20 years. The Support for Individual Artists Committee has been one of the most active groups of funders within GIA. Over the years, the committee has been an incubator for such projects as a scan of scholarly research on artist support, a visual timeline outlining the history of artist support funding, major publications, and programs, and the development of a national taxonomy for reporting data on support for individual artists. The committee continues to advise, inspire, and inform GIA’s thought leadership and programming in support for individual artists.
Click here to listen to the latest podcast, and see below for resources.
As grantmakers, we have choices. Finding the right tool for the job and experimenting with tools to learn the range of their usefulness is what grantmakers do.
Read More...The full text of this article is not yet available on this site. Below is a brief excerpt.
Read More...We are very pleased that Ruby Lerner, executive director of Creative Capital, took up the challenge of writing about anti-terrorism language in grant award letters. As an intermediary organization, Creative Capital is in the position of being both a funder and a grantee. This dual role, shared by many other GIA members, gives Ruby an especially wide view of the topic.
Read More...2003, 44 pages. Published by The McKnight Foundation, 710 Second Street, Suite 400, Minneapolis, MN, 55401, 612-333-4220, www.mcknight.org
This handsome catalogue on the work of Minnesota realist painter Mike Lynch was published as part of the McKnight Foundation's annual Distinguished Artist Award.
Read More...2002, 100 pages. The Marie Walsh Sharpe Art Foundation and the Judith Rothschild Foundation, 830 North Tejon St., Suite 120, Colorado Springs, CO 80903, (719) 635-3220, www.sharpeartfdn.org
Read More...The Eiteljorg Fellowship for Native American Fine Art is a biennial program honoring five Native American fine artists with unrestricted awards of $20,000. The fellowship program was launched in 1999 by the Eiteljorg Museum of American Indians and Western Art. Museum staff implements the program under the direction of Jennifer Complo McNutt, curator of contemporary art.
Read More...2003, 107pages, Urban Institute, 2100 M Street, N.W., Washington, DC 20037, (202) 833-7200, www.urban.org.
Download:
Read More...The Urban Institute's study of the support structure for U.S. artists, Investing in Creativity: A Study of the Support Structure for U.S. Artists, was undertaken to expand thinking about who artists are, what they do, and what mechanisms are needed to support their work. (See page 41 for a preview of the report.) The report began with the following section about the study's motivation and why society should be concerned.
Read More...Artadia, formerly known as The ArtCouncil, revolves around visual artists. Chris Vroom founded Artadia on the belief that direct support for artists will make an impact on the development of the nation's cultural heritage. Artadia is constantly searching for new ways to introduce artists to a larger audience.
Read More...Federal Support for Historic Preservation Fund on Downward Trajectory
In his fiscal year 2004 budget, President Bush proposed $67 million for the Historic Preservation Fund. The Fund is authorized at $150 million, but historically the Congress and Administration have provided in appropriations just one third of the authorized amount.