GIA Blog

Posted on March 3, 2017 by Monica

Kickstarter has released its first annual benefit statement since becoming a public benefit corporation in 2015. One component of the company’s new charter is to “annually donate 5% of its after-tax profit towards arts and music education, and to organizations fighting to end systemic inequality.” An article in Fast Company explains:

The crowdfunding platform joined Patagonia and a few other companies that have accepted a legal obligation to benefit society, rather than just focusing on maximizing shareholder value. Every two years, Kickstarter is required to report on its progress in achieving a long list of objectives laid out in its charter—in other words, it has to prove the benefit that it’s providing the public.
Posted on March 2, 2017 by admin

In a recent blog post, The Heinz Endowments President Grant Oliphant writes about the power of arts, journalism, and courage in times of political conflict. In the spirit of this idea, the Endowments have increased their arts grantmaking budget: For our part, the Endowments has decided to increase its normal grantmaking in the arts and … Continue reading Heinz Endowments President on the Power of Arts and Journalism, Increases Arts Spending $1.5M

Posted on March 2, 2017 by Monica

In a recent blog post, The Heinz Endowments President Grant Oliphant writes about the power of arts, journalism, and courage in times of political conflict. In the spirit of this idea, the Endowments have increased their arts grantmaking budget:

For our part, the Endowments has decided to increase its normal grantmaking in the arts and creativity by $1.5 million this year, an increase of nearly 17 percent. This additional investment will not go to doing more of what we already do. While still being shaped, we expect it to deepen connections with our sustainability and learning work, broaden our engagement in neighborhoods and schools, and connect us more directly with artists who are using art to promote social justice and social change.
Posted on March 1, 2017 by Monica

Nonprofit regrantor Dance/NYC has announced the inaugural recipients of its "Disability. Dance. Artistry. Fund" with support from the Ford Foundation. The new fund supports integrated dance performances featuring dancers with and without disabilities, aiming to bring attention to the artistic excellence of disabled dancers.

An article in the Nonprofit Quarterly discusses the recent announcement: "Visibility for performers with disabilities is decidedly lacking in the dance world. . . . Dance/NYC is changing this situation, flipping from thinking of disabled dancers as patients to thinking of their disabilities as a fount for creativity."

Posted on March 1, 2017 by Monica

From the Times Free Press:

Beginning July 1, the leading organization for funding Chattanooga arts programming will restructure how the money it raises is disbursed and who can get it in hopes of reaching more arts organizations and more people in the community. . . . For the last 48 years, as few as five and as many as 16 arts organizations in Chattanooga could count on ArtsBuild — originally the Allied Arts Fund and later Allied Arts of Greater Chattanooga — to help raise a portion of their annual operating funds. Part of Allied Arts' original mission was to be a single fundraising body for a select few agencies, and ArtsBuild has continued that effort. . . .
Posted on March 1, 2017 by admin

GIA member and California Humanities CEO Julie Fry recently penned an op-ed in the San Francisco Chronicle urging the importance of federal arts funding: The arts and humanities are good for the success of young people and good for the economy, and we all benefit from that. As Johnson said back in 1965, this is … Continue reading Julie Fry Publishes Op-Ed on the Importance of Federal Arts Funding

Posted on March 1, 2017 by Monica

GIA member and California Humanities CEO Julie Fry recently penned an op-ed in the San Francisco Chronicle urging the importance of federal arts funding:

The arts and humanities are good for the success of young people and good for the economy, and we all benefit from that. As Johnson said back in 1965, this is about more than just the money: “It is in the neighborhoods of each community that a nation’s art is born. … The arts and the humanities belong to the people, for it is, after all, the people who create them.”

Our country is richer when the federal government supports and values the arts and humanities. This is not a luxury item. This is who we are as a people.

Posted on March 1, 2017 by SuJ'n

For the month of March, GIA’s photo banner features artists and work supported by the Oregon Community Foundation, established in 1973 as a permanent endowment for community improvement efforts throughout the state of Oregon. From founder William Swindells’ initial $63,000 contribution, OCF now has over $1.5 billion under management through 1,900 charitable funds that support the five key areas of arts and culture, health and well-being, livability, economic vitality, and education.

Posted on February 23, 2017 by Monica

Grantmakers in the Arts is proud to release a literature review on the growing field of arts in medicine. The review outlines the various ways in which artists and healthcare institutions work together to support patient and community heath, the infrastructure that exists to support this work, and how funders can support further development of the field. This document was produced as support material for the GIA Funder Forum on Arts in Medicine, held in Orlando, Florida on February 24, 2017 and sponsored by the Barr Foundation.

Read the report.

Posted on February 22, 2017 by Monica

Recent graduates with arts degrees have better career and entrepreneurial training than those who came before them, according to a report released by the Strategic National Arts Alumni Project (SNAAP) at the Indiana University School of Education. The research, based on a survey of arts graduates, demonstrates that new approaches to arts education are helping prepare students for careers and give them tools they need to succeed.