GIA Blog

Posted on February 28, 2014 by Tommer

Evidence-based philanthropy. To some, that phrase offers the promise of long-overdue rigor. If the first principle of philanthropy and social impact is to do good, then evidence-based philanthropy ensures that we honor its corollary: Do no harm.

To others, that phrase represents all that is going wrong with philanthropy and social innovation—the rise of the ivory-tower theorists and technocrats whose logic models and fixation with metrics blind them to real-world knowledge and common sense.

Posted on February 27, 2014 by Tommer

Robert Booker, executive director, Arizona Commission on the Arts connects the dots for nonprofit arts board members: "Often, when I meet with the Board of Directors of an Arizona arts organization or institution, I am asked to provide more money to the organization.

Posted on February 27, 2014 by Tommer

Robert Booker, Executive Director, Arizona Commission on the Arts connects the dots for nonprofit arts board members.

Posted on February 27, 2014 by Supporting Today's Artists

Posted to Supporting Today's Artists by Paul Tyler, Grants Director, ArtsKC

We’ve had limited financial resources to invest in direct support for artists over the past few years, but I have come to realize that our work supporting artists through professional development training may have substantially more impact than our grantmaking over the long run.

Posted on February 26, 2014 by Supporting Today's Artists

Since 1998, the Emily Hall Tremaine Foundation has supported contemporary art exhibitions through its biennial Emily Hall Tremaine Exhibition Award. This opportunity provides funding for thematic exhibitions that are fresh and experimental in nature, and for which other funding is not yet forthcoming. The award provides assistance at the beginning stage of the exhibition’s development and offers the curator the support needed to realize the concept.

Posted on February 26, 2014 by Tommer

A new study by Music Machine aggregated data  on streaming music from Spotify users and broke down musical preferences by state and region. Previous research has analyzed the same data by gender and age.

Posted on February 21, 2014 by Steve

The 15th Annual WESTAF Cultural Policy Symposium, co-hosted by the California Arts Council and Frank Gehry Partners, will be available online via a live stream. Creativity and Innovation in Public Education: Areas of Need, Mechanisms for Change will take place on March 4, beginning at 8:45am PST, when arts and policy experts will gather at architect Frank Gehry’s studio in Santa Monica, California for a thought provoking symposium addressing critical issues facing the arts and education. A series of six sessions will follow throughout the day.

Posted on February 21, 2014 by Steve

Arlene Goldbard reports from the Staging Sustainability 2014 conference, recently held in Toronto:

In her concluding keynote for Staging Sustainability 2014, Adrienne Goehler exhorted conference attendees to support a “basic income grant” as a universal right. She put it succinctly: the current system forces overproduction in all realms, even art. The current system of grants for artists, inadequate in so many other ways, operates almost exclusively on a project basis, forcing artists who seek support to think in terms of novelty and output rather than allowing adequate time for work to evolve and emerge organically.
Posted on February 21, 2014 by Steve

From Jon Wojciechowski, writing for HowlRound:

My marketing director, Alicia Grasso, and I conceived a photographic tableau to illustrate the often hidden costs of producing professional theater. We pulled key figures from our annual budget—expenses we wanted to illustrate—and chose key members of our staff and Resident Intern Company to participate. Cape May Stage was producing Freud’s Last Session at the time, so we opted to stage the photograph on that show’s set. We even seated Dr. Freud himself (Equity actor Joel Rooks) front and center.
Posted on February 19, 2014 by Tommer

Professor Ann Collins Johns at the University of Texas at Austin was just as peeved as many people were about President Barack Obama’s knock on art history majors. So she did what any self-assured art historian would do and wrote a letter to Obama on January 31, shortly after the President’s remarks, and sent it using the White House website. Then came the surprising part: Obama responded with a handwritten note on February 12.