The rush to build crowdfunding sites is sorting itself out, not surprisingly in ways the for-profit online world evolves. Other takes on this by Lucy Bernholz and in Fast Company.
GIA Blog
Thanks to KUOW, one of our local public radio channels, I hear at least one good story on the arts every month. This month's story aired this morning on Weekday, a daily, often locally-focused talk show, and explored themes of art and social change (decidedly not local in focus). It is worth a listen for the thoughtful insights of the artists invited to participate in the conversation: Thao Nguyen and Lenelle Moise. Listen here.
The final week of the Arts Education blog - follow up questions.
In 2007, Daniel Kaufman started a conversation about philanthropic giving over dinner with his law school friends that has since blossomed into the One Percent Foundation (OPF), a national organization that engages young adults in philanthropy through giving circles and leadership development.
Since 1996 Brad Wilber, a reference librarian and crossword puzzle enthusiast, has published Met Futures, an online list of repertory and casting for upcoming seasons at the Metropolitan Opera. Drawing on information in the public domain and tips from sources, it’s a valuable, dependable, much-loved resource, providing a wide-angle view of the Met’s artistic direction and singers’ choices.
Sparked.com is an online portal of volunteers that have signed up to offer small amounts of time to complete web-based projects requested by nonprofits. Known as micro-volunteers, these individuals offer one or two hours a week to complete "Challenges" in the areas of technology, design, research, etc. Free for nonprofits (including arts nonprofits), it's an easy way to tap into a skilled volunteer network without committing a lot of time to volunteer management.
From Abraham Ritchie at Art Works:
From Zoe Fox at Mashable:
Ian Padgham, former social media guru of the San Francisco Museum of Modern Art says museums started flocking to social media in 2009. Museums initially used social media just to advertise events and exhibits, but quickly jumped into a world of interactive education and user generated content.
The Arts Education rock festival enters its final week on Barry's Blog with the question:
From Ariel Schwartz at Fast Company: