GIA Blog

(6-14-10) The Doris Duke Charitable Foundation has awarded a two-year, $3.3 million grant to the New England Foundation for the Arts (NEFA) to support NEFA's National Dance Project. The grant increases the foundation's total support of the National Dance Project, over a thirteen-year period, to $21 million.

(6-11-10) Produced by the League of American Orchestras and funded with grants from MetLife Foundation and the National Endowment for the Arts, Fearless Journeys: Innovation in Five American Orchestras is a first-of-its-kind case study about innovation in orchestras. The five stories featured in the book are only a few examples of how the orchestra field is testing important new approaches to administrative/artistic organization, community partnerships, and artistic initiatives. The Conclusion focuses on the factors that have enabled innovation in all five orchestras in the study.

(6-11-10) A gift of $25 million has reinvigorated the multi-year capital campaign for what was formerly called the Performing Arts Center Eastside (PACE) and will now be called the Tateuchi Center. Sited in downtown Bellevue, the largest municipality in Seattle's suburb-cum-global technology center, the Eastside, the venue will house a 2,000-seat theater and a 250-seat cabaret-style venue. With the new gift, the center has raised $60 million towards its $160 million goal.

(6-10-10) From Ken May, Executive Director of the South Carolina Arts Commission:

Governor Mark Sanford has vetoed the bulk of the Arts Commission's budget, effectively crippling the agency if the legislature does not override the veto. This cut eliminates all state funds for grants, programs and services, and more than 70 percent of our personnel. The cut also eliminates federal stimulus funds earmarked for grants to local arts organizations.

(6-10-10) From the blog, Larry Cuban on School Reform and Classroom Practice:

So “best practices” in teaching and learning, leaning on studies that seldom show strong connections between causes and effects, fall well behind the “evidence-based practice” that medicine has accumulated over time through clinical trials of experimental treatments. A simple peek at the U.S. Department of Education’s “What Works Clearinghouse” website confirms the few studies that rise to the level of evidence-based practice.

(6-9-10) Fourteen years later, Arlene Goldbard discussed her 1996 essay “Let Them Eat Pie: Philanthropy à la Mode.”

(6-8-10) From The Art Newspaper:

If you have been following the news about arts funding, you have reason to be concerned. A vast pool of private, public, and philanthropic capital has gone down the drain in the US, and elsewhere, in the “Great Recession”—with predictable consequences. What’s more, we may be on the cusp of a generational shift in giving priorities.

(6-8-10) The Joan Mitchell Foundation's annual Masters in Fine Arts Grant Program was created in 1997 to help MFA painters & sculptors in furthering their artistic careers and to aid in the transition from academic to professional studio work upon graduation.

Each recipient receives a grant in the amount of $15,000. To date the Joan Mitchell Foundation has awarded 162 MFA Grants. These grants are given in recognition of artistic quality to artists chosen from a body of candidates put forth by nominators from the academic art community across the United States.

(6-8-10) At last week's GIA Board of Directors meeting in Louisville, Diane Sanchez - Director of Grantmaking & Donor Services at the East Bay Community Foundation in Oakland - was elected to fill the vacancy left by the departure of John Killacky. Here is Diane's bio:

(6-8-10) From the June 5 Victoria, BC Times Colonist:

Things just seem to get worse for arts and culture in Victoria and the rest of British Columbia.

I'm not talking about the quality of the offerings, which often reach artistic levels that delight and surprise. Rather, it's our provincial government's mulish insistence on pretending the cultural industry in B.C. no longer exists.