GIA Blog

Grantmakers in the Arts (GIA) believes that artists are workers, who deserve to be treated as such. GIA also believes that public policies and practices must be strengthened so that our nation treats workers, including independent contractors and gig workers, with the respect and dignity they deserve.

Between 10-30% of workers are independent contractors or gig workers — in other words, self-employed and contracted to perform work for or provide services to another entity as a nonemployee. Many artists fall into this category, including the teaching artists who steward our children’s education and imagination. These workers don’t qualify for employer-based benefits like health care and paid leave, and growth in this category has contributed to a long-term decline in the percentage of unemployed workers eligible for unemployment insurance.

Germany’s new culture minister, Claudia Roth, has taken office pledging to continue her predecessor’s work in decolonising museums, to set up a central “green culture” desk, to boost funding for the arts and to rethink both the Humboldt Forum and a planned new 20th-century art museum in Berlin.

Philanthropist Laurie M. Tisch announced this week that 14 New York City-based organizations will receive grants in the Illumination Fund’s new Arts & Mental Health program, an expansion of its Arts in Health Initiative.

"[Elizabeth] Alexander came to the organization with a specific mandate, she said, of 'sharpening the focus—doing all the work, every penny, through a social justice lens.' That meant asking what she called sharper questions," writes Maximilíano Durón in ArtNews' profile of Alexander's leadership at the helm of The Andrew W. Mellon Foundation since 2018. “What are the stories that we haven’t heard about? What are the cultural points of view that have not been centered? What are the units that have not been resourced or uplifted?”

"Eighteen months after an unprecedented movement for racial justice, many organizations are feeling frustration and disappointment. What now?" writes Benjamin Abtan in the Stanford Social Innovation Review as 2021 comes to a close. Abtan continues, "In many of these cases, racial equity fatigue stems from the distance between the high hopes for change felt in 2020 and the current situation."

Artist Kevin Beasley was invited to create an artwork in the Lower Ninth Ward of New Orleans. "Instead, he bought land, cleared it, and began to plant a garden," writes Siddhartha Mitter in the New York Times. "By now, many local faces were familiar to him; others were not, and he listened intently to their suggestions, and also to their doubts and cautions."

In a new report, "Creative Equity National Survey Culture: Race, Myth, Art = Justice," a project of Creative Justice Initiative, was designed in 2018 to address the racist, discriminatory, and unjust policies that continue to victimize disenfranchised communities.

The U.S. Senate has voted to confirm Dr. Maria Rosario Jackson as the 13th chair of the National Endowment for the Arts. She had been nominated for the position in early October. Dr. Jackson has had a long career in strategic planning, policy research, and evaluation with philanthropy, government, and nonprofit organizations. Her work appears in a wide range of professional and academic publications, this website included.

By David Andersson & Nicholas Mosquera

This post is part of the series, Future of the Field: Cross-Sector Creative Placemaking Series.

Angelique Power, president and CEO of the Detroit-based Skillman Foundation, speaks with eJewishPhilanthropy on the power — and necessity — of centering trust within grantmaking. "What’s complicated about philanthropy is that money and power are often synonymous," Power says, "And so while the sector is directed at helping, being the arbiter of how capital moves makes you — in some ways, it jeopardizes trust, just in that act right there. It creates this uneven scenario where people are coming to you asking for funding."