The William and Flora Hewlett Foundation announced the first 10 recipients of its Hewlett 50 Arts Commissions, an $8 million commissioning initiative that is the largest of its kind in the United States. Reflecting the foundation’s longstanding commitment to sustaining artistic expression and encouraging public engagement with the arts in the San Francisco Bay Area, 10 local nonprofit organizations will receive grants of $150,000 each to commission major new musical compositions from world-class artists in genres including chamber, electronic, jazz, opera, and hip hop.
GIA Blog
Posted on November 14, 2017 by Monica
Posted on November 13, 2017 by Monica
In a letter to colleagues, Phillip Henderson announced his decision to step down from his role as president of Surdna Foundation:
Earlier this week, I informed the Surdna board of my intention to step down from my post as soon as they have identified a successor. I am proud of the work we have done at the Foundation since I arrived in 2007, and I believe it is time for me to move on and also time to bring in a new leader to propel the Foundation forward.
I am very proud to have helped Surdna close out its first century with some notable achievements. We put pursuing socially just and sustainable communities in the United States at the heart of the Foundation’s mission. We found our voice in the pursuit of social justice particularly in communities of color across the country.
Posted on November 9, 2017 by Steve
The latest issue of the GIA Reader includes an essay by Detroit writer and storyteller Marsha Music. “The Kidnapped Children of Detroit” tells the story of “white flight” in 1960’s Detroit and the racial dynamics that have shaped the city’s past and present. Marsha Music reflects on her personal experience as a Detroit native and offers a hopeful message as the city continues to change today.
Posted on November 8, 2017 by Monica
Kenneth Rainin Foundation announced $3 million in additional funding for the Community Arts Stabilization Trust (CAST), an organization that protects San Francisco Bay Area arts and cultural organizations from displacement. This three-year grant will help CAST realize an ambitious goal to acquire 100,000 square feet of space for arts groups by the end of 2018. With this funding, CAST will expand and prioritize its work in Oakland to create permanently affordable spaces for arts organizations, as well as continue its work in San Francisco.
Posted on November 8, 2017 by Monica
A recent op-ed by Americans for the Arts President and CEO Robert Lynch highlights partnerships between artists and local governments to "enhance awareness, knowledge, and discourse around issues; shift attitudes; promote effective participation and action; and improve systems and policies that ensure social justice.":
To help remodel the city’s narrative through the eyes of its citizens, Mayor Duggan conceived a plan to give Detroiters a way to connect and discuss issues that don’t get covered by the city’s traditional media, and give Detroiters and their neighborhoods a stronger voice.
Last March, Mayor Duggan hired popular journalist Aaron Foley to be the city’s “chief storyteller,” embedded in, and employed by, city government. Believing that local residents deserve better and more diverse stories about their neighborhoods and the reality of living in the city, Foley created an online platform called The Neighborhoods, where these stories can be shared.
Posted on November 7, 2017 by Monica
At the closing plenary of the 2017 GIA Conference, Rip Rapson spoke on how The Kresge Foundation has reasserted its values and called on arts funders and cultural workers to continue to put their own values into action. “In no time in my memory has it been more important for arts and culture to become … Continue reading Arts and Culture in Dangerous Times: Rip Rapson’s Address to the 2017 GIA Conference
Posted on November 7, 2017 by Monica
In a recent blog post, Barry Hessenius offers thoughts on GIA’s geographic and leadership transition:
This new beginning will give the organization and the philanthropic community it represents a chance to evaluate where it's come from, and moving to, and most importantly, where it now wants to go. This is a rare opportunity for a national organization to re-think policy and protocol and move in new directions while solidifying its deepest commitments.
Posted on November 6, 2017 by Monica
At the closing plenary of the 2017 GIA Conference, Rip Rapson spoke on how The Kresge Foundation has reasserted its values and called on arts funders and cultural workers to continue to put their own values into action.
“In no time in my memory has it been more important for arts and culture to become part of a larger movement of social justice — helping strengthen the alliances necessary to speak and advance those truths of equity, fairness, and justice that we know to be inviolable.”
Posted on November 1, 2017 by SuJ'n
For the months of November and December, GIA’s photo banner features work and artists supported by Mississippi Arts Commission (MAC). Established in 1968, and funded annually by the Mississippi Legislature, the National Endowment for the Arts, and private funds, MAC provides grants, technical assistance, consultation, and networking to artists, arts organizations, and institutions providing arts education throughout the state.
Posted on October 31, 2017 by Steve
Lara Davis reports from day 2 of the 2017 GIA Conference:
Day 2. The scene: A passionate conversation with fellow conference attendees over breakfast. We are grateful for this time together to eat free food, consume coffee, hear from more local artist activists and cultural workers, and begin reflecting on some of the learning that defines our conference experiences over the last few days. We exchange information on sessions that have challenged us due to either an unwillingness to go deep enough, or their readiness to move us so profoundly that we’re already changed. The latter by far represents the collective experience of my table mate colleagues, and soon to be friends.
During the conversation, some key questions rise to the surface. We land on – what are you willing to risk for justice through your work and the philanthropic field? We stay here for some time. You see, we recognize that things like race and social positionality (i.e., where you rank in organizational hierarchy) have bearing on whether we act or remain inert. Formal power is always present in these spaces. So, are personal agency, and the potential for collective power.
In any case, this little question worm makes its way into my conscience like a red wiggler in a compost bin (which I assure you, is a good thing) and stays with me throughout the day’s journey.