Advocacy and Public Policy
Artists and arts institutions rely on the free flow of information to create and distribute their work. The converging digital environment presents many new options for the delivery of specialized information to targeted audiences, and the cultural community is becoming increasingly sophisticated in deploying these tools. However, the United States is only sixteenth in the world in broadband Internet penetration, and the growing digital divide presents a challenge to the vision of ubiquitous access to high-quality images, sound, and text.
Read More...This time it was the catastrophic devastation in the Gulf States. Last time it was the 9/11 attack. Before that were the floods in North Dakota, the earthquakes in San Francisco and Seattle, and Hurricane Hugo in South Carolina, and then
Each time disaster strikes — whether natural or man made — communities face inestimable emotional and economic suffering. When artists, arts organizations, and cultural institutions are affected by these disasters, the confusion and bewilderment about what to do and how to help extends very directly to us as arts grantmakers.
Read More...Under Marian Godfrey's direction, GIA held a pre-conference immediately before its 2005 conference called "New Directions in Cultural Policy Research." As part of that meeting, four well-respected individuals were asked to assess the impact and importance of research in the arts. They were asked to specify the big ideas currently in play and to speculate about the future of those ideas. Predictably perhaps, the four argued for the importance of research to the cultural sector. More surprisingly, they agreed that the platform for cultural research needs serious re-planking.
Read More...2005, 67 pages. Brennan Center for Justice at the NYU School of Law, 161 Avenue of the Americas, 12th floor, New York, NY 10003, 212-992-8847, www.fepproject.org
Download PDF: www.fepproject.org/policyreports/WillFairUseSurvive.pdf
Read More...2005, 12 pages. Americans for the Arts, 1000 Vermont Northwest, 6th floor, Washington, DC, 20005, 202-371-2830, www.artsusa.org
This monograph explores the role of culture in diplomacy with a specific focus on international cultural exchange. Case histories and examples of successful efforts are used to make the case for greater public support of cultural exchange programs.
Read More...2005, 48 pages. Published by American Public Media, 45 East 7th Street, Saint Paul, MN, 55101, 651-290-1225, www.classicalmusicinitiative.org
The second in a series of Working Papers, this report contains ideas and tips for partnering with local public radio stations and national distributors, information on funding resources, rights and clearances, Web initiatives, and audience research.
Read More...2004, 58 pages. Free Expression Policy Project, Brennan Center for Justice, NYU School of Law, 161 Avenue of the Americas, 12th floor, New York, NY, 10013, 212-998-6730, http://www.fepproject.org
Download pdf: http://www.fepproject.org/policyreports/InformationCommons.pdf
Read More...The full text of this article is not yet available on this site. Below is a brief excerpt.
Read More...Three briefings for funders on electronic media policy were held January—March 2005, organized by Grantmakers in Film and Electronic Media, hosted by the Ford Foundation, and co-sponsored by other interested parties, including Grantmakers in the Arts. The first session, “Securing Our Rights to Public Knowledge, Creativity, and Freedom of Expression,” was reported on by Helen Brunner in the spring 2005 Reader. (Please note that web addresses for most of the organizations mentioned are listed at the end of this article.)
“What the FCC Is Going On?”
Read More...Lawrence Lessig sees Big Media waging war against culture in America. And he, for one, is fighting the battle. A professor at Stanford Law School, Lessig achieved notoriety when he represented web site operator Eric Eldred in the ground-breaking case Eldred v. Ashcroft, a challenge to the 1998 Sonny Bono Copyright Term Extension Act. Eric Eldred was a man who wanted to build a library of derivative versions of public domain books (e.g., Hawthorne's A Scarlet Letter) and make them available for free on the Internet.
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