Arts Research

September 30, 2004 by admin

October 2002, 103 pages. Published by The Western States Arts Federation, 1743 Wazee Street, Suite 300, Denver, CO, 80202, 303-629-1166, www.westaf.org

Download pdf: http://www.westaf.org/pdfs/ufsBook.pdf

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July 31, 2004 by admin

2003, 38 pages. Meet the Composer, 75 Ninth Avenue, Floor 3R Suite C, New York, NY 10011, (212) 645-6949; Ken Gallo, Communications Manager, kgallo@meetthecomposer.org

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July 31, 2004 by admin

2002, 100 pages. The Marie Walsh Sharpe Art Foundation and the Judith Rothschild Foundation, 830 North Tejon St., Suite 120, Colorado Springs, CO 80903, (719) 635-3220, www.sharpeartfdn.org

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July 31, 2004 by admin

What roles will arts and cultural organizations and funders play in the November 2004 election?

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July 31, 2004 by admin

Through the ages artists with disabilities have been important to our history and culture. Beethoven was deaf, Van Gogh was mentally ill, El Greco was visually impaired. For the most part we do not associate them with their disability. We celebrate their lives for the gifts of music and art that they left in our midst.

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December 31, 2003 by admin

2003, 243 pages, $25.00, Simon & Schuster, business@simonandschuster.com

From stage to film, downtown to uptown, tap to post-modern to bravado ballet, crossing over has been a mark of choreographer Twyla Tharp's career. Likewise, her latest book spans multiple genres. Part workbook, part behind the scenes autobiography, part self-help manual, The Creative Habit has a single message: If you dream of living a creative life, get to work!

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December 31, 2003 by admin

Just about everyone by this time, I suppose, has heard of blogging, the act of keeping a Web journal, often accompanied by links to related online articles, photos, or Web sites. Weblogs, blogs for short, first appeared in the late 1990s. Early on, they were a geeky pastime that served mostly as a method to pass on interesting Web links to a small circle of like-minded readers.

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December 31, 2003 by admin
Oh chestnut-tree, great-rooted blossomer,
Are you the leaf, the blossom or the hole?
O body swayed to music, O brightening glance,
How can we know the dancer from the dance?
  — by William Butler Yeats
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December 31, 2003 by admin

Ensembles are marked by a sustained commitment to collaboration..... The ensemble process allows for the development of a distinctive artistic vision and language unique to all artists involved.

— excerpt from the Flintridge Foundation theater mission
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December 31, 2003 by admin

2003, 253 pages. Praeger, Westport, Connecticut, London, England, ISBN: 0-275-97013-2, hardback, $62.95

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