Arts Research
October 2002, 103 pages. Published by The Western States Arts Federation, 1743 Wazee Street, Suite 300, Denver, CO, 80202, 303-629-1166, www.westaf.org
Download pdf: http://www.westaf.org/pdfs/ufsBook.pdf
Read More...2003, 38 pages. Meet the Composer, 75 Ninth Avenue, Floor 3R Suite C, New York, NY 10011, (212) 645-6949; Ken Gallo, Communications Manager, kgallo@meetthecomposer.org
Read More...2002, 100 pages. The Marie Walsh Sharpe Art Foundation and the Judith Rothschild Foundation, 830 North Tejon St., Suite 120, Colorado Springs, CO 80903, (719) 635-3220, www.sharpeartfdn.org
Read More...What roles will arts and cultural organizations and funders play in the November 2004 election?
Read More...Through the ages artists with disabilities have been important to our history and culture. Beethoven was deaf, Van Gogh was mentally ill, El Greco was visually impaired. For the most part we do not associate them with their disability. We celebrate their lives for the gifts of music and art that they left in our midst.
Read More...2003, 243 pages, $25.00, Simon & Schuster, business@simonandschuster.com
From stage to film, downtown to uptown, tap to post-modern to bravado ballet, crossing over has been a mark of choreographer Twyla Tharp's career. Likewise, her latest book spans multiple genres. Part workbook, part behind the scenes autobiography, part self-help manual, The Creative Habit has a single message: If you dream of living a creative life, get to work!
Read More...Just about everyone by this time, I suppose, has heard of blogging, the act of keeping a Web journal, often accompanied by links to related online articles, photos, or Web sites. Weblogs, blogs for short, first appeared in the late 1990s. Early on, they were a geeky pastime that served mostly as a method to pass on interesting Web links to a small circle of like-minded readers.
Read More...Are you the leaf, the blossom or the hole?
O body swayed to music, O brightening glance,
How can we know the dancer from the dance?
— by William Butler Yeats
Read More...Ensembles are marked by a sustained commitment to collaboration..... The ensemble process allows for the development of a distinctive artistic vision and language unique to all artists involved.
— excerpt from the Flintridge Foundation theater mission
2003, 253 pages. Praeger, Westport, Connecticut, London, England, ISBN: 0-275-97013-2, hardback, $62.95
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