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2003, 38 pages. Meet the Composer, 75 Ninth Avenue, Floor 3R Suite C, New York, NY 10011, (212) 645-6949; Ken Gallo, Communications Manager, kgallo@meetthecomposer.org

2002, 100 pages. The Marie Walsh Sharpe Art Foundation and the Judith Rothschild Foundation, 830 North Tejon St., Suite 120, Colorado Springs, CO 80903, (719) 635-3220, www.sharpeartfdn.org

What roles will arts and cultural organizations and funders play in the November 2004 election?

Through the ages artists with disabilities have been important to our history and culture. Beethoven was deaf, Van Gogh was mentally ill, El Greco was visually impaired. For the most part we do not associate them with their disability. We celebrate their lives for the gifts of music and art that they left in our midst.

Ensembles are marked by a sustained commitment to collaboration..... The ensemble process allows for the development of a distinctive artistic vision and language unique to all artists involved.

— excerpt from the Flintridge Foundation theater mission

2003, 253 pages. Praeger, Westport, Connecticut, London, England, ISBN: 0-275-97013-2, hardback, $62.95

2002, 20 pages. Americans for the Arts, 203.371.2830, www.AmericansForTheArts.org

"When we hear talk about reducing support for the arts," writes Robert Lynch, president of Americans for the Arts, "we should ask: Who will make up for the lost economic activity?" The gist of the message of that group's Arts & Economic Prosperity report is simple and catchy: "the arts mean business."

July 2003, 25 pages. Project on Regional and Industrial Economics, Humphrey Institute of Public Affairs, University of Minnesota, 301 S. 19th Avenue, room 231, Minneapolis, MN 55455, (612) 625-8092

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