Arts and Community Development

2010, 27 pages. The Aspen Institute, Publications Office, 109 Houghton Lab Lane, PO Box 222, Queenstown, MD, 21658, 410-820-5433,www.aspeninstitute.org

2010, 24 pages, The Center for Effective Philanthropy, 675 Massachusetts Avenue, 7th Floor, Cambridge, MA, 02139, 617-492-0800   www.effectivephilanthropy.org

2009, 12 pages. WolfBrown, 808A Oak Street, San Francisco, CA 94117, 415-796-3060, www.wolfbrown.com

“Creative capital is the network of understandings, values, activities, and relationships that individuals, organizations, and communities develop when they share what earlier generations have imagined and when they, in turn, generate and pass on what they imagine.”

January 2010, 21 pages. Fine Arts Fund, 20 East Central Parkway, Suite 200, Cincinnati, OH, 45202, 513-871-2787, www.fineartsfund.org

Supporters of the arts have struggled to develop a national conversation that makes the case for robust, ongoing public support for the arts; but public spending on the arts is too often criticized as an example of wasteful government spending or a misguided government intrusion into an area where it does not belong.

October 2009, 105 pages. PennPraxis, 409 Durham Wing, School of Design, University of Pennsylvania, Philadelphia, PA, 10003, 215-573-8719, www.design.upenn.edu/pennpraxis

Download at: http://issuu.com/pennpraxis/docs/report_publicart

In 2006, the Wisconsin Arts Board (WAB) looked back at the five towns that participated in the first "access" grant funded by the National Endowment for the Arts in the late 1960s. This was a seminal rural arts development program managed by the University of Wisconsin's Office of Community Arts Development at the College of Agriculture. The WAB study included interviews with elderly local artists, archival documents, a survey conducted in 1973 and replicated in 20052, and conversations with some of the field's earliest practitioners.

The Way We’ll Be: The Zogby Report on the Transformation of the American Dream.
By John Zogby; Random House (New York), 2008, 256 pages

Recent studies on New York’s creative sector have established that the arts are a key asset in the city’s economic portfolio. Culture Counts: Strategies for a More Vibrant Cultural Life for New York City (2001); Creative New York (2005); and The Arts as an Industry: Their Economic Impact on New York City and New York State (2007) provide ample evidence that the diverse number of cultural institutions, arts-related businesses, and artists in New York generate employment, attract tourism, and enhance the city’s quality of life.

Before the house lights dim at a production of Romeo and Juliet, I look for myself and I am delighted to find myself as I was many years ago: A teenaged boy sitting by himself. I recognize him because he keeps checking the number on his ticket against the number on the armrest. All in all, he is pleased with his seat. He wears a sweater and tie. He reads his program with the intensity I used similarly to scrutinize the actors’ biographies, the director’s notes, and the advertisements for after-theater dining.

Brooklyn, NY - National Endowment for the Arts Chairman Rocco Landesman delivered a keynote address today to close the 2009 national Grantmakers in the Arts conference: Navigating the Art of Change.

In his remarks, Chairman Landesman laid out the guiding principle that will inform his work at the agency, which can be summed up in two words: "Art works." Chairman Landesman explained that he means this in three ways: