Cultural Policy

2005, 17 pages. University of Chicago Cultural Policy Center, 1155 E. 60th Street, Chicago, IL, 60637, 773-702-0926, culturalpolicy.uchicago.edu (Also published in New Left Review, No.17, September-October 2002)

Download pdf: http://culturalpolicy.uchicago.edu/pdfs/sassoon_paper.pdf

July 2004, 68 pages. Center for Arts and Culture, 4350 N. Fairfax Drive, Arlington, VA, 22203, 703-248-0430, center@culturalpolicy.org

Download pdf: www.culturalpolicy.org/pdf/Grassroots.pdf

2003, 67 pages. Arts Policy and Administration Program, Ohio State University, 128 N. Oval Mall, Columbus, OH, 43210, 614-292-5356

Download pdf: www.culturalpolicy.org/pdf/MJWpaper.pdf

2004. National Arts Strategies, 1156 15th Street NW, Suite 805, Washington, DC, 20005, 202-223-5454, www.artstrategies.org

Download pdf: Key Findings: http://www.artstrategies.org/downloads/ManagingTheCreativeSummary.pdf

2004, 16 pages. National Performance Network, 225 Baronne Street, Suite 1712, New Orleans, LA, 70112, 504-595-8008

Download pdf: http://www.npnweb.org/wp-content/content/files/CulturalPolicy.pdf

As Tia Oros Peters so eloquently states in her essay that follows, there is no particular word for art in the thousands of Indigenous languages of the world. While there are hundreds of Native American languages, the same holds true; Native Americans do not and cannot separate the importance of art and culture from everyday life. It is one goal of GIA's Indigenous People's Network to bring this important way of life to the fore of grantmakers' thinking.

The fall 2002 issue of the Reader (volume 13, number 3) introduced an ongoing feature, "Why Art?" as a response to GIA's goal to strengthen the role of arts and culture in philanthropy and in society as a whole. This Reader feature aims to help members and others make stronger arguments for the support of arts and culture by sharing examples of arguments, case statements, insights, and stories that convey the multifaceted role that culture, the arts, and artists play in our society, neighborhoods, and individual lives.

The full text of this article is not yet available on this site. Below is a brief excerpt.

To California's great Central Valley they have come from the highlands of Oaxaca, the cities of eastern Pakistan, the relocation camps of Thailand—political refugees and new immigrants from around the world aspiring to build a future for their children, grands, and greats.

For three days in October these new U.S. Americans gathered in Fresno's Tower District for their second Tamejavi Festival. Everyone was welcome; the historic Tower Theatre's marquis proclaimed, “Tamejavi: It's Still Free.”

The lines between arts and environmental grantmaking often are sharply drawn. However, in the life of thriving communities, the two are integrally linked. As part of a roundtable discussion at last October's GIA conference, it was heartening to share vivid examples of how GIA members are exploring the intersections of environment and art.