Cultural Policy

October 31, 2003 by admin

216 pages, published 2001. Available through SAGE Publications Ltd, 6 Bonhill Street, London, EC2A 4PU, UK +44 (0)20 7374 0645

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October 31, 2003 by admin

2002, 30 pages, Cultural Initiatives Silicon Valley. To order a copy, contact Brendan Rawson, brendan@ci-sv.org or 408-283-8506

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October 31, 2003 by admin

2000, 47 pages. Council of Europe Publishing, Cultural Policies Research and Development Unit, (33) 03 88 41 25 81

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October 31, 2003 by admin

2002, 71 pages. RMC Research Corporation in partnership with the Pew Charitable Trusts. Available through the Center for Arts and Culture, Suite 500, 819 Seventy St., N.W., Washington, DC 20001, 202-783-4498.

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October 31, 2003 by admin

I. Me, You, and Us: The Rise of Something New

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October 31, 2003 by admin
Some things are very dear to me —
Such thing as flowers bathed by rain
Or patterns traced upon the sea
Or crocuses where snow has lain . . . .
The iridescence of a gem,
The moon's cool opalescent light,
Azaleas and the scent of them,
And honeysuckles in the night.

— African American poet Gwendolyn Bennett, “Sonnet II” 1

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October 31, 2003 by admin
This essay is based on a key note address given on Tuesday, October 29, 2002. The talk was preceded by a short media presentation that told the story of Angels in America in Charlotte through sound and images.
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August 26, 2003 by admin
Richard Rodriquez made these remarks on May 23, 1997 to the Convocation on Providing Public Library Service to California’s 21st Century Population. The California State Library convened the convocation with the goal of creating a vision of public library service in California.
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July 31, 2003 by admin

In a crowded auditorium at Yerba Buena Center for the Arts, funders, community activists, and artists gathered in March to listen to a panel discussion on hip-hop activism in the Bay Area. The goal of Constant Elevation: The Rise of Bay Area Hip-Hop Activism was twofold: to inform and educate funders about hip-hop activism and how it fits into foundation support, and to highlight local best practices that use Hip Hop as a framework.

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