Cultural Policy

As a society and country, we continue to struggle with the legacy of racism and the structural barriers that have been created to privilege some while oppressing others. Building racial equity and social justice takes dedication, inspiration, honesty, and a willingness to admit and learn from our failures. There are no foolproof guides or programs, nor one right path to achieving racial equity. It becomes a daily practice to question norms and work to make change.

Download:

   Arts Funding Snapshot: GIA’s Annual Research on Support for Arts and Culture (1.1Mb)

In February 2018, the portrait of former First Lady Michelle Obama was unveiled at the National Portrait Gallery in Washington, D.C. Within this institution of power, a Greek Revival building lined with marble floors and white columns, images of presidents and other US leaders are captured in traditional oil paintings. In envisioning their own portraits, the Obamas made bold choices, which differed from most of their predecessors’ in the artists who were chosen to paint them and the styles in which they were portrayed.

How We Got Here: Building Boom and Downturn

We Have the Answers We Need

   Culture, Equity, and Cities (1.5Mb)

Have you ever begun to just notice something and then suddenly you see it everywhere. Then you wonder, have I been out of it, or did this just become a thing?”

The Los Angeles County Arts Commission voted unanimously to create the first-ever LA County Department for Arts and Culture. The motion instructs the County to transition the LA County Arts Commission to a stand-alone County department starting July 1 and to complete the transition by fiscal year 2019.

The arts and culture sector continues to have conversations on multiple levels about how to advance the causes of equity, inclusion, and diversity. The discussion is not new, but the momentum toward implementing clear action steps is building. A new level of understanding of the ways in which racial and social inequities are the result of complex systemic issues has given rise to a realization that the path to truly effective solutions will require deep, and deeply challenging, institutional change.

In this moment of upheaval, challenge, and resistance for our country, the phrase “speaking truth to power” has taken on a new urgency. Rarely asked amid the fervor pervading the corner offices and Twitter feeds of so many of our foundations and other civic institutions in recent months, however, is an important question: Where does our “truth” come from? How do we make judgments about truth in so subjective a field as arts and culture?

As arts funders, we know that extensive research has shown that the presence of arts and culture activities at the neighborhood level can improve health and safety and promote a sense of well-being among residents. But how do we identify what activities already exist in a community and, as important, where there are gaps so we can be proactive in advancing a community’s livability?