Rural Arts

These thoughts were sparked by attending the Council on Foundations 57th Annual Conference, "Philanthropy: Investing in the Vision of Progress." I was especially engaged by the plenary remarks of George Soros and Newt Gingrich.

2005, 78 pages. McKnight Foundation, 710 Second Street South, Suite 400, Minneapolis, MN 55401, 612-333-4220

Beginning with an honest appraisal of the way changing economic factors have reshaped Minnesota's rural communities, this elegant publication highlights artistic projects and the individuals who have helped maintain or restore cultural vitality to different towns throughout the state.

The following essay was jointly commissioned by Grantmakers in the Arts for its 2002 annual conference and by the Funders' Network for Smart Growth and Livable Communities as one in its series of Translation Papers.

Introduction

The Fund for Folk Culture, based in Santa Fe, New Mexico, has initiated a series of gatherings, supported by a grant from the NEA, to examine topics relevant to folk arts and traditional culture. The first of those meetings was held in its home town at the Wheelwright Museum on March 13 and 14 to discuss the needs and concerns of individual artists in the folk and traditional arts field.

April 28-30, 2002, Asheville, North Carolina

2001-2002, 51 pages. Witter Bynner Foundation for Poetry, P.O. Box 10169, Santa Fe, New Mexico 87504, 505-988-3251.

The Reader rarely reviews foundations' annual reports, but makes exceptions on occasion — in this case for the Witter Bynner Foundation for Poetry's reaching its 30th year of grantmaking. The handsome 2001 Witter Bynner commemorative report is engaging to read, and presents grant descriptions alongside poems by supported writers, presses, students, and presenting programs.

The bus-stop was outside the cathedral. I had been looking at the Mappa Mundi, with its rivers out of Paradise, and at the chained library, where a party of clergymen had gotten in easily, but where I had waited an hour and cajoled a verger before I even saw the chains. Now, across the street, a cinema advertised the Six-Five Special and a cartoon version of Gulliver's Travels. The bus arrived, with a driver and conductress deeply absorbed in each other. We went out of the city, over the old bridge, and on through the orchards and the green meadows and the fields red under the plough.

It's January 26, 2000 and two sisters greeted each other happily at Elko, Nevada's small airport. Waiting at the baggage claim, they schemed about doing things they wanted to do together, and not giving in to their mother who had plans for a family snow outing. "I moved west to get away from all that snow," one said. "Well one thing for sure," her sister answered, "We'll want to get away. Those cowboy poets are in town and they're everywhere."

How can the arts promote positive social change? That's what the staff and board of the Kentucky Foundation for Women wanted to find out. We thought we knew. Or at least we thought we had a pretty good idea. After all, our mission is to promote positive social change through varied feminist expression in the arts, and we have been around for fifteen years.