GIA Reader (2000-present)

Setting the Frame

In a corner of the reading room in a public library near downtown Brooklyn, an artist/educator guides a group of children through the process of grinding up insects with a mortar and pestle and then using a muller to mix the resulting red powder with water. “By crushing the cochineal beetle,” she says, which lives on cacti in arid regions of Mexico and is still used as a natural food coloring for ketchup and many other processed foods, “medieval and early modern artists could produce this wonderful red color for their paintings.”

Main streets in rural Colorado are getting a jolt of creativity and economic vitality thanks to an innovative partnership between the State of Colorado, philanthropic funders, local leaders, and a nonprofit housing developer. The Space to Create Colorado initiative, launched in July 2015, is transforming rural communities throughout the state by providing affordable housing/workspace as well as community spaces for creatives.

As we come to the final issue of the Reader in this thirtieth year of publication, Frances, Carmen, and I have been reflecting upon the question of impact. Presenting this to the field of arts and culture funders is perhaps something obvious, however an important part of this exploration for us was to really understand, from multiple perspectives, how the Reader evolved into its current iteration and what influences helped shape these evolutions.

I am honored to have this opportunity to interview Gary Steuer, president and CEO of the Bonfils-Stanton Foundation. Gary is a respected colleague, a member of Grantmakers in the Arts’ board of directors, and co-chair of the GIA Denver Conference Planning Committee for the upcoming annual conference. I am pleased to note that Bonfils-Stanton has been embracing equity in their support of Denver’s nonprofit community, including its arts organizations.