GIA Reader (2000-present)

Fear and Anxiety, or Resilience and Creativity

November 19, 2009 by Steve

How are artists weathering the economic downturn? Artist Trust wanted to take the pulse of the Washington State artist community and to consider what programmatic solutions Artist Trust and others might offer. Between March 15 and April 15, 2009 nearly 700 artists responded to an online survey. The survey was not designed to collect data for quantitative analysis; rather, it was conducted as a way to gain an informal snapshot of artists’ personal situations.

November 19, 2009 by Steve

Current Funding

November 19, 2009 by Steve

As funders we have three main challenges: first, getting a handle on the extent and impact of the recession; second, exerting leadership — being bold, positive, and opportunistic without being insensitive; and third — and most important — asking ourselves the same tough questions that we are asking grantees: how do we slip the vice-like grip of old mindsets and behaviors and adapt so we increase our relevance, resilience, and meaningful contributions to our community?
— Foundation President

In Response to the Times

November 19, 2009 by Steve

As we move through the greatest economic downturn since the great depression, Grantmakers in the Arts has analyzed its programs and put together what we believe to be an appropriate response to the times. This edition of the Reader is part of our design to provide relevant research and statistics to the field in an economical and efficient manner. This summer edition of the Reader is published solely on-line. A PDF file was mailed to all members and subscribers and is available on the website, and the individual articles are also posted in the GIA web Library.

The Outlook for Foundation Giving

June 19, 2009 by Steve

Since 2001, GIA and the Foundation Center have collaborated on an annual “snapshot” of foundation funding for the arts based on grants awarded by a sample of over 1,000 of the largest U.S. foundations. Given the exceptional challenges now facing the country’s foundation and nonprofit communities, we have concluded that the arts field would be better served this year by a broad overview of how foundation giving might fare during the current economic crisis.

Artist Space Development: Financing

April 30, 2009 by admin

2007, 114 pages. Urban Institute, 2100 M Street NW, Washington, D.C., 20037, 202-833-7200, www.urban.org

http://www.urban.org/UploadedPDF/1001175_asd_financing.pdf

June 30, 2006 by admin

2005, 18 pages. Neighborhood Funders Group, 1301 Connecticut Avenue NW, Washington, DC 20036, 202-833-4690, www.nfg.org

Download PDF: www.nfg.org/publications/nfg_25_years.pdf

This brief report documents the work of this organization and the growth of the community development field in philanthropy since 1980.

June 30, 2006 by admin

2005, 12 pages. U.S. Department of the Treasury, 1500 Pennsylvania Avenue, NW, Washington, D.C. 20220, 202-622-2000, www.treasury.gov.

Download pdf: www.treasury.gov/offices/enforcement/key-issues/protecting/docs/guidelines_charities.pdf

These voluntary guidelines are intended to "assist charities in developing a risk-based approach to guard against the threat of diversion of funds by use by terrorists and their support networks."

June 30, 2006 by admin

2005, 18 pages. International Federation of Arts Councils and Cultural Agenciers. Strawberry Hills, NSW, 2004, Australia, www.ozco.gov.au

Download PDF: http://www.australiacouncil.gov.au/__data/assets/pdf_file/0020/32627/Making_Crosscountry_Comparisons_of_Cultural_Statistics__Problems_and_Solutions.pdf

Visions from the New California

June 30, 2006 by admin

2005, 36 pages. Alliance of Artists Communities, 255 Main Street, Providence, RI, 02903, 410-351-4320.

This report documents an initiative of the Alliance of Artists Communities to answer the question, "What does California look like to its artists?" Reflections and work of seven artists in different residency programs provide a snapshot of the state from a range of cultural perspectives. Engaging photographs by Kim Harrington supplement the text.