Philanthropic practice

Over eighteen months, the California Community Foundation (CCF) provided seed grants as incentives for five small and midsized arts organizations to build capital reserves through its pilot program, Building Equity in the Arts (2012–14). The program’s goals were for these organizations to raise a reserve fund, to create a cash reserve policy, and to evidence an increase in their fund balance. While a seemingly straightforward challenge, the building of cash reserves required a great deal more than simple development and reallocation of resources.

Over the past few decades, arts advocates have toiled diligently to support and sustain the arts in a climate that has not always felt very welcoming. Culture wars, economic recessions, technological disruptions, accusations of elitism, and (most frightening, perhaps) the perceived menace of societal indifference have at times all conspired to create an impression for many of an arts ecology under perpetual threat.

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   Funding at the Intersection of Art and Environment (266 Kb)

This past January I was preparing for a youth education and empowerment program I work with in Pittsburgh called the Omega Dr. Carter G. Woodson Academy, and the research I was doing revealed some fascinating connections between the civil rights movement and philanthropy. This year has also been marked by the fiftieth anniversary of the Voting Rights Act and a national initiative to provide free admission for schoolchildren to see the movie Selma, which was released in December and chronicled the protests that led to the passage of that 1965 legislation.

Extensive research has demonstrated what those close to the arts, culture, and humanities sector already know: the health of the sector is intertwined with the health of our communities. In addition to cultural enrichment, arts, culture, and humanities nonprofits create jobs, support economic growth, and contribute to community revitalization.

In the wake of the worst global economic recession in living memory, the creative industries sector has emerged as a powerful engine for economic growth and social, environmental, and cultural sustainability. With growing concern over the staggering amounts of funding now being directed toward social impact initiatives globally and the effectiveness of those investments, perhaps the time has come for gatekeepers to consider adding the creative industries to the short list of investment-worthy target sectors.

A Personal Experience Informs Philanthropy

With the much needed and welcomed national attention now being given to equity in arts and cultural funding, there is growing discussion — and debate — about the importance of collecting, analyzing, and reporting demographic data relating to grantmaking. The Grantmakers in the Arts Statement of Purpose on Racial Equity in Arts Philanthropy recommends advocating for research and data collection that accurately represents the demographics served by and serving in arts organizations and foundations.

Grantmakers in the Arts released its Statement of Purpose for Racial Equity in Arts Philanthropy in March 2015. It did not spring from thin air. Members concerned with social justice have been active within GIA for nearly a decade. Over the past six years, members have shown an overwhelming interest in equity issues facing their communities. Racial equity was deliberately selected four years ago for a thought leader forum in order to go deeper into one area of social justice.