Creative Sonoma has launched a recovery fund to support members of the creative community affected by the recent wildfires in the area. The funds will be available to individuals for immediate and short-term basic human and art related needs including shelter, medications, art supplies, instruments, and more. The organization has also created an online Creative Recovery Exchange, a peer-to-peer forum where artists and organizations can post their recovery-related needs and others can offer services, and goods to support them.
Grantmakers in the Arts
From Jerome Foundation:
With this re-emergence of Camargo as a vital residency center for artists, scholars, and thinkers, Camargo is now ready to embark on a new path. In recognition of the successes achieved, Camargo Program Director Julie Chénot has been promoted to the role of Executive Director of the Camargo Foundation.
In a recent blog post on Philanthropy News Digest, Dance/NYC Executive Director Lane Harwell writes about the importance of supporting artists with disabilities:
At the same time, it is incumbent on philanthropy to develop intersectional strategies that consider disability within and across arts funding portfolios rather than in isolation.
The John D. and Catherine T. MacArthur Foundation has announced its 2017 fellows, 24 “exceptionally creative people” who will each receive a $625,000 award over five years. Among this year’s fellows are opera director Yuval Sharon, writer Viet Thanh Nguyen, photographer Dawoud Bey, and journalist Nikole Hannah-Jones.
Learn about all 24 MacArthur fellows.
Read the article on The New York Times.
A recent article from Createquity examines and challenges the common juxtaposition of terms like “mainstream” and “culturally specific” in reference to arts organizations and art forms:
A recent editorial in The Boston Globe discusses the state of government arts funding in Massachusetts. Last month, the state legislature overrode Governor Baker’s veto of the $14 million arts budget — the same funding level as the previous year. The editorial highlights the impact of arts funding across the state, including work funded by the Massachusetts Cultural Council and Barr Foundation.
The North Dakota Council on the Arts (NDCA), with the generous support of the Bush Foundation, has announced the release of its arts and creative aging toolkit to be sent to every elder care facility and local arts agency in North Dakota and South Dakota, 300 elder care activities coordinators in Minnesota, and every state arts agency in the country. Reaching 1,200 organizations, it is one of the largest efforts of its kind.
The Wallace Foundation has published a case study examining efforts to introduce high-quality after school art programs at Boys and Girls Clubs in the Midwest: