A recent article in the Stanford Social Innovation Review highlights the practice of shared gifting, “a grantmaking approach that allows nonprofit leaders to award grant dollars to other nonprofit organizations.” The article discusses the potential impacts of this form of peer-to-peer support, including creating opportunity for otherwise overlooked organizations and supporting nonprofit collaboration.
Grantmakers in the Arts
From The Washington Post:
Members of the President’s Committee are drawn from Broadway, Hollywood, and the broader arts and entertainment community and said in a letter to Trump that “Your words and actions push us all further away from the freedoms we are guaranteed.”
Edwin Torres, deputy commissioner of the New York City Department of Cultural Affairs, has been selected by the Grantmakers in the Arts (GIA) board of directors as the organization’s new president & CEO. Torres will become GIA’s third CEO after a national search for a successor to current CEO Janet Brown, who will step down at the end of 2017.
Kiley Arroyo, executive director of the Cultural Strategies Council, writes on how the strategies and policy-level systems change can create a better, more sustainable environment for creative placemaking efforts to take hold. Read “Creative Democracy: Applying the Lessons of Creative Placemaking to Policymaking” from the latest issue of the GIA Reader.
From Arts Professional:
Focusing on improving diversity in the performing arts and tackling a “chronic culture of low pay or no pay,” the report emphasizes the importance of reforming education in schools, opening up access to drama schools, and increasing representation in both artistic and non-artistic roles.
“Community Empowerment through Justice, Art, and Leadership” is the new grantmaking model of The Field Foundation of Illinois. President Angelique Power announced the change in a letter to the field on Monday describing steps the foundation took to evaluate its work with feedback from nonprofits and peer foundations, undergo racial equity training, and assess the needs of the Chicago area. The result of these efforts is a new grantmaking model which redefines the foundation’s program areas and funding guidelines and coincides with the launch of its new application process.
In the latest issue of the Reader, Marc Zegans introduces a model of how an artist’s work and career develop over time — “the five stages of a fulfilled creative life.” Zegans explains how artists move through these various stages, the critical questions that arise from each stage, and the challenges artists face as they move from one stage to another. Read “Arc and Interruption: The Five Stages of Creative Life and the Crises That Intervene.”
