In Democratizing Education: Democratizing Leadership?, an article from the latest issue of GIA Reader, Dallas Shelby and Gail Crider, from National Arts Strategies, look at the massive open online courses (MOOCs) and their effect on the development of leadership in the arts and culture sector.
Grantmakers in the Arts
From Sam Neace, writing for the Hazard-Herald:
The National Center for Arts Research (NCAR) at Southern Methodist University has released a white paper titled “Does ‘Strong and Effective’ Look Different for Culturally Specific Organizations?” that examines the distinguishing characteristics of arts organizations that primarily serve Asian-American, African-American, and Hispanic/Latino communities. The study is intended to provide insights, based on measurable data, about the operating contexts and unique challenges that these organizations face.
The Association of Performing Arts Presenters (APAP) have named MK Wegmann with the Fan Taylor Distinguished Service Award for exemplary service to the field of professional presenting. The award was presented on January 18 at the APAP|NYC Conference. Wegmann is President & CEO of National Performance Network, a position she has held for 15 years, but announced last fall that she will retire in the summer of 2016.
With Boston’s Mayor having just announced new funding for the city’s arts community, a new report commissioned by The Boston Foundation and prepared by the consulting and research firm TDC examines the current state of Boston’s arts community in places it in the context of 10 other cities. “How Boston and Other American Cities Support and Sustain the Arts” finds that Boston had a very broad and deep arts community for a region of its size.
From Malcom Gay at The Boston Globe:
In December 2015, the website Cuban Art News interviewed Ben Rodríguez-Cubeñas co-founder and board chair of the Cuban Artists Fund, as well as director of the Culpeper Arts and Culture program at the Rockefeller Brothers Fund about Cuban art and culture, US philanthropy in Cuba, and how Cuba-facing organizations are evolving in response to the changing sociopolitical landscape.
In Introducing Community Innovation Labs, an article from the latest issue of GIA Reader, Richard Evans and Karina Mangu-Ward from EmcArts describe a new approach to harvesting the power of the arts to unlock complex problems at the community level.