Grantmakers in the Arts

Council on Foundations Presents Organizational “Redesign”

February 22, 2013 by Steve

A letter from Vikki Spruill, president and CEO, Council on Foundations:

Dear Colleagues,

A few minutes ago I shared a message with Council members regarding our redesign. Since I first announced this redesign in December, I have had the opportunity to visit and talk with many of you and share more details about this ongoing transformation. I firmly believe that my efforts to reposition the Council as a network hub will prove successful only if the Council has strong partnerships with funder networks and affinity groups serving our field.

February 21, 2013 by Steve

From Anne Midgette for The Washington Post:

Savoy Elementary is one of eight in the country earmarked by the President’s Committee on the Arts and the Humanities as a “turnaround” school — one in dire need of help. For three years, each of the eight is “adopted” by a well-known artist (in Savoy’s case, the actress Kerry Washington) and receives a tremendous funding boost to institute arts programs ($14.7 million for the eight). This is based on a new belief — after years of emphasis on standardized testing — in the power of the arts.

February 21, 2013 by Steve

Rodney Christopher, vice president of advisory services for Nonprofit Finance Fund, and presenter for a GIA Web Conference in April 2011, will become the F.B. Heron Foundation’s first practice innovation fellow, starting March 4, 2013 for the period of one year. The F.B. Heron fellowship in Social Investment Practice is intended to allow highly talented senior practitioners from leading social sector organizations to explore and advance innovative ideas for new areas of investment in their sector. Visiting fellows work with F. B. Heron, their home institutions and allied parties to advance field-wide innovation.

February 20, 2013 by Steve

From Elizabeth Quaglieri for Technology in the Arts:

At The Economist World in 2013 Festival in December, Paola Antonelli, senior curator in the Department of Architecture and Design at the Museum of Modern Art in New York City, sat down with Steve Crossan, director of the Google Cultural Institute, and discussed the challenges, trends, and opportunities awaiting the intersection of arts and technology this year. Antonelli emphasized the need for policy makers and politicians to view culture as a foundation for our nation’s development, not as a political and economic football.

Considering Whiteness

February 20, 2013 by Steve

Roberto Bedoya, executive director of the Tucson Pima Arts Council, guest-posts for Doug Borwick's blog Engaging Matters:

Whiteness is the dominant ideological framework that exists in the cultural sector. It is the default frame that defines cultural value and worth; it is used (mostly unconsciously) to analyze, classify and quantify both what is understood as the norm and the notions of “other” – of diversity. Both Ian [Moss] and Clayton [Lord] acknowledge Whiteness in their commentaries and I appreciate that because to understand the ideology of Whiteness and how it operates in our sector, white folks must spend time unpacking it. Doing so is essential to advancing our field. Yet, it must be more than acknowledging the whiteness of the aforementioned bloggers; some critical analysis of how Whiteness operates in the sector must be undertaken, as difficult as that may be.

February 19, 2013 by Steve

Kaiser writes for his blog at Huffington Post:

It is official: I am a lame duck. My contract as President of the Kennedy Center expires at the end of next year and the board has just assembled a search committee to look for my successor. I am deeply grateful to have had the opportunity to lead this amazing institution and have enjoyed (almost) every minute of my tenure. But after 12 years as President, it is time for someone with a new and different vision to run the national cultural center.

NEA Webinar on Arts and Aging

February 19, 2013 by Tommer

Wednesday, February 20, 2013, 2:00 – 3:00 pm, EST As the U.S. population ages, it faces more age-related diseases. How can the arts serve to treat, prevent, or improve these conditions? Representatives from the National Institutes of Health , the U.S.

February 18, 2013 by Steve

From Cristina Ruiz at The Art Newspaper:

The British artist Stuart Semple has signed a contract for worldwide representation with the fashion agency Next Management, a move that highlights again how the traditional artist-gallery relationship is changing. Several artists, including Damien Hirst and Keith Tyson, have agents or managers who provide financial advice and handle their business dealings with galleries, but Semple says his collaboration with Next Management will more closely resemble relationships in the music industry, where managers act as a buffer between their acts and the outside world, helping to promote their work and negotiate their projects.

Explore Solidarity Economy resources here

Future of the Field: Cross-Sector Creative Placemaking Series

Video from the GIA 2021 Conference are now available for streaming.

The Racial Equity Coding Project: Unpacking The “Why”

In this first of a three-part discussion, we are joined by Susan Feder, Adam Fong, and Maurine Knighton, as they discuss the Racial Equity Coding Project, why it was started, their experience with the earliest iterations of the coding measures, and how their reflections will inform steps forward.

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