Grantmakers in the Arts

(1-19-2011) As announced last month, grant application guidelines for NEA funding in 2012 are now available. The guidelines are for the NEA’s two funding categories, Art Works and Our Town.

NEA is organizing a series of discipline-focused webinars to guide applicants through the changes. Those interested in participating, can log onto arts.gov shortly before the scheduled time. All times are Eastern Standard Time.

(1-18-2011) The National Capitalization Project continues to generate much-needed debate. Here is a quick listing of blog posts:

• Diane Ragsdale: overstocked arts pond: fish too big & fish too many posted January 16, 2011
• Sarah Lutman: Just Say No posted December 11, 2010
• Janet Brown: An Oversupply of Art? posted November 8, 2010
• Arlene Goldbard: GIA Conference Blog 3, Capitalization posted October 18, 2010

(1-17-2011) R. Philip Hanes, Jr., passed away on Sunday, January 16, 2011 at Hospice in Winston-Salem at age 84. From the News & Observer of Raleigh, N.C.:

(1-17-2011) A message from Roberto Bedoya, Executive Director of the Tucson Pima Arts Council:

(1-16-2011) City Journal, the quarterly publication of The Manhattan Institute, has published a review of Generosity Unbound: How American Philanthropy Can Strengthen the Economy and Expand the Middle Class, a book published last Fall and authored by Claire Gaudiani.

Ellen Stewart, the founder, artistic director and de facto producer of La MaMa Experimental Theater Club, a multicultural hive of avant-garde drama and performance art in New York for almost half a century, died Thursday in Manhattan. She was 91.

(1-13-2011) La Mama Experimental Theater Company founder Ellen Stewart passed away today at age 91. Brava Ellen!

Read more about Ellen here, here, and here.

(1-13-2011) Susan Josephs for the Los Angeles Times:

Since launching the controversial yet successful dance event in 2005, Israeli-born choreographer [Neta Pulvermacher] has watched her brainchild grow from a New York City happening into a national franchise produced by the Joyce Theater Foundation with support from The Boeing Company.