Dance

Early in 2004, the Graduate Center of the City of New York convened ten small to mid-sized arts organizations to talk about what had happened to them in an experimental, internet-based project funded by the Ford Foundation. The ten, from across the country, are community-based cultural organizations; they share a commitment to emerging and experimental artists and art forms, and a commitment—equally firm—to their local or nearby communities. Despite their similarities of mission, the ten were not familiar with each other's work.

October 2003, 146 pages. Published by The Western States Arts Federation, 1743 Wazee St, Suite 300, Denver, CO, 80202, 303-607-9019, www.westaf.org

This book contains the proceedings from a symposium of the same name convened by WESTAF in October, 2003 that brought together practitioners, artists, and academics to discuss the opportunities and challenges facing state arts agencies.

2004, 11 pages. Published by Arts Research Digest, School of Humanities, Faculty Office Squires Building, University of Northumbria, Newcastle upon Tyne NE1 8ST, UK, 44 (0)191 227 3894, www.arts-research-digest.com

Download pdf: www.ifacca.org/files/040527ResearchingArtists.pdf

June 2004, 16 pages. Published by Performing Arts Research Coalition, 1156 15th Street, Suite 810, Washington, DC, 20005, 202-293-4466 x214, parc@operaamerica.org, www.operaamerica.org/parc

Download pdf: http://www.operaamerica.org/parc/PARCSummaryRpt.pdf

May 2004, 53 pages. Published by Battelle Memorial Institute

Download pdf: http://www.flinn.org/docs/Vibrant_Culture-Thriving_Economy_full_213.pdf

The product of a multi-disciplinary task force in the greater Phoenix metropolitan area, this report makes the case, from an economic development point of view, for a central role for arts and culture in the region's future planning initiatives.

The full text of this article is not yet available on this site.

Catherine Maciariello
This panel intends to examine the purpose and value of what we do from the personal, institutional, and public perspective. We ask your indulgence and ask you to fly with us at 35,000 feet. We are talking about relationships, multiple meanings, and civic dialogue that enable an exchange of ideas that elevate and enrich both art-making and civic life.

Alternate ROOTS is a coalition of artists and cultural workers in the Southeastern USA; addressing racism and other oppressions has been integral to our mission for a long time. At our 2004 Annual Meeting this past August a panel of ROOTS' founding members discussed the function of ROOTS as a cultural continuation of the civil rights movement - beginning with our founding at the legendary Highlander Center in New Market, Tennessee.

The Chicago Dance Mapping Project (CDMP) was conducted by Dance/USA over a period of eighteen months through 2002 "to capture a census of dance activity" in the six counties of the greater Chicago metropolitan area. Although the research coincided with the San Francisco and Washington, D.C. needs assessments described in the winter 2004 (Vol. 15, No. 1) Reader, the Chicago research was even more broadly inclusive of diverse dance entities and was originally intended to be reported and used as a database.