Dance

September 30, 2008 by admin

2008, 171 pages. WolfBrown, Red Maple Court, 10627 Jones Street, Suite 301A, Fairfax, VA, 22030, (703) 591-3661, www.wolfbrown.com

http://www.wolfbrown.com/images/books/ImpactStudyFinalVersionFullReport.pdf

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September 30, 2008 by admin

2008, 49 pages. Bush Foundation, 332 Minnesota Street, Suite E-900, Saint Paul, MN, 55101, (651) 227-0891, www.bushfoundation.org

http://www.bushfoundation.org/publications/BushFellowsReport.pdf

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September 30, 2008 by admin

2008, 265 pages. Center for Cultural Innovation, 244 S. San Pedro Street, Suite 401, Los Angeles, CA, 90012, (213) 687-8577, www.cciarts.org

This resource guide is written for working artists across the U.S, providing information and advice for the "self-employed creative entrepreneur." Included are basic principles behind career and business planning, marketing and promotions, budgeting and money management, legal issues relevant to artists, and financing for creative work.

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September 30, 2008 by admin

2007, 29 pages. Creative Trust, 215 Spadina Avenue, Suite 129, Toronto, ON, M5T 2C7, (416) 506-9047, www.creativetrust.ca

http://www.creativetrust.ca/download/CT_Evaluation_Report_Year3.pdf

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September 30, 2008 by admin

2007, 235 pages. National Guild of Community Schools of the Arts, 520 8th Avenue, Suite 302, New York NY, 10018, (212) 268-3337, www.nationalguild.org

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September 30, 2008 by admin

2008, 33 pages. Grantcraft, The Ford Foundation, 320 East 43rd Street, New York, NY, 10017,
(212) 573-4879, www.grantcraft.org

http://www.grantcraft.org/pdfs/guide_gti.pdf

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September 30, 2008 by admin

2008, 130 pages. Published by Heyday Books, P.O. Box 9145, Berkeley, CA, 94709, O(510) 549-3564, www.heydaybooks.co

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August 31, 2008 by admin

2008, 328 pages. Published by University of California Press

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May 31, 2008 by admin

2007, 79 pages. The Boston Foundation, 75 Arlington Street, Boston, MA 02116, (617) 338-1700, www.tbf.org
PDF Online: www.bostonindicators.org

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May 31, 2008 by admin
Is a trend developing that favors drawing foundation leaders from the for-profit sector rather than from philanthropy or the nonprofit sector? If so, does it change senior grantmaking staff's challenges and opportunities? Would a more corporate view of private philanthropy affect how foundations view the arts?
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