Film and Media

2008, 77 pages. Rockefeller Philanthropy Advisors, 6 West 48th Street, 10th Floor, New York, NY, 10036, (212) 812-4335, www.rockpa.org

http://rockpa.org/pdfs/Philanthropy_in_a_Changing_Society_full.pdf

2008, 43 pages. Hill Strategies Research, Inc., Hamilton, Ontario, (877) 445-5494, www.hillstrategies.com

http://www.hillstrategies.com/docs/Social_effects_culture.pdf

2008, 326 pages. Published by New Village Press, PO Box 3049 Oakland, CA, 94609, 
(510) 420-1361, www.newvillagepress.net

Founded in 2003 by GRAMMY Award-winning songwriter and producer Dallas Austin, the Dallas Austin Foundation, Inc. (DAF) aims to transform the lives of young people by enriching their educational experiences through the use of music and film.

2007, 44 pages. Minnesota Citizens for the Arts, 2233 University Avenue West, Suite 355, St. Paul, Minnesota, 55144, (651) 251-0868, www.mncitizensforthearts.org

http://mncitizensforthearts.org/wp-content/uploads/2008/03/interioronlyfinal.pdf

2008, 12 pages. Center for Social Media, School of Communications, American University, 3201 New Mexico Avenue NW, Suite 330, Washington, D.C., 20016, (202) 885-3107, www.centerforsocialmedia.org

http://www.centerforsocialmedia.org/files/pdf/online_best_practices_in_fair_use.pdf

Between 2006 and 2008, the Social Impact of the Arts Project, a research group at the University of Pennsylvania (SIAP), collaborated with The Reinvestment Fund (TRF), a community development financial institution, on an investigation of the creative sector's potential contribution to neighborhood economic and community development.

2007, 16 pages. Americans for the Arts, 1000 Vermont Avenue, NW, 6th Floor, Washington, D.C., 20005, (202) 371-2830, www.artsusa.org

Danny Newman, who died last year (2007) at the age of eighty-eight, was a major post- World War II patron of the arts, but his contributions were not personal checks. Rather, they lay in helping arts companies—theaters, orchestras, dance groups, operas—build strong, committed audiences, providing the sound financial basis they needed to survive and flourish. His major tool was the promotion of subscriptions, a wide-ranging effort embodied in his book Subscribe Now! Building Arts Audiences through Dynamic Subscription Promotion.