Music

May 31, 2008 by admin
Are we helping nonprofits prepare themselves for the challenges of future leadership transition?

Jennifer Hill, Ruth Mott Foundation (moderator); Lauren Renee Hayes, Grants for the Arts/San Francisco Hotel Tax Fund; Lisa Mount, Alternate ROOTS (interlocutors).

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May 31, 2008 by admin

2007, 104 pages. The Foundation Center, 79 5th Ave, NY, NY, 10003, (800) 424-9836, www.foundationcenter.org

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May 31, 2008 by admin

2007, 7 pages. The William Penn Foundation, Two Logan Square, 11th Floor, 100 North 18th St, Philadelphia, PA 19103, (215) 988-1830, www.williampenfoundation.org

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May 31, 2008 by admin

2007, 11 Pages. Americans for the Arts, One East 53rd Street, Second Floor, NY, NY 10022, (212) 223-2787, www.americansforthearts.org

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May 31, 2008 by admin

If you want encouragement about the future of music, spend some time around youth orchestras. I had a wonderful experience in Great Falls, Montana. For two one-week residencies every year, the extraordinarily generous violinist Midori immerses herself in a small community (for which she dramatically reduces her fee, by the way), performing on its orchestra's subscription concert, and working with that orchestra's affiliated youth orchestra. She also visits schools and coaches chamber music, spending so much time with so many young musicians that one feels there must be two of her.

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October 31, 2007 by admin

When funders move into indigenous communities they tread a very fine line. On one side of the line they have a duty to undertake sufficient investigation to ensure that they properly understand a funding request and their own role in relation to it. On the other side, obtaining the information may conflict with the ability to acknowledge and give appropriate respect to the applicant's indigenous culture and its bounds.

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August 31, 2007 by admin
Jeff Chang is widely known for chronicling the story of the hip-hop generation through his book Can't Stop Won't Stop and the recent anthology Total Chaos. In this Taos Journey essay, Chang looks back at the legacy of the multiculturalism movement of the 1960s and '70s; at the last several GIA conferences, grantmakers have gathered to discuss their concerns about crises in important culturally specific organizations formed during that period.
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August 31, 2007 by admin
Classical opera is a glorious but expensive enterprise that is thought by many to be so caught up in traditional methods and structures that it cannot adapt to changing times. Not so at the Metropolitan Opera in New York, under the recent and widely discussed leadership of Peter Gelb. Here, GIA member Russell Willis Taylor, president and CEO of National Arts Strategies, interviews Gelb about his approach to leadership, and his ambitions for the Met.
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