Public Art

November 12, 2009 by Steve

2010, 72 pages, The Urban Institute, 2100 M Street NW, Washington, D.C., 20037, (202) 833-7200 http://www.urban.org

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   Reggae to Rachmaninoff (397Kb)

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November 12, 2009 by Steve

Arts Wisconsin, the Wisconsin Arts Board, and Americans for the Arts are happy to announce the republication of the landmark 1969 book, The Arts in the Small Community, by Maryo Gard Ewell and Michael F. Warlum. The new guide stays true to its original roots and mission set forth by Wisconsin's community arts pioneer Robert Gard, but has been thoroughly updated to address contemporary examples in the realm of community arts.

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November 12, 2009 by Steve

This book offers insight into how to establish the arts in schools and use them as a vehicle for school renewal at the same time. The author makes a convincing case for the important role of visual arts, music, dance, drama, and architecture in educating our youth.

284 pp, paperback (1990, Americans for the Arts)

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November 12, 2009 by Steve

This timeless resource helps identify and define the philosophical foundations and practice principles of community arts development. It captures and shares the creative and pioneering efforts that drive the movement and provides insight and expertise for people working in rural and small communities.

135pp, paperback (1992, Center for Community and Cultural Studies, Columbia College)

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April 30, 2009 by admin
Art and Upheaval: Artists on the World's Frontlines, William Cleveland, 2008, 334 pages, New Village Press, Oakland CA
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April 30, 2009 by admin
Bill Ivey chaired the National Endowment for the Arts from 1998 through 2001, directed the Country Music Foundation from 1971 to 1998, and was twice elected chairman of the National Academy of Recording Arts and Sciences. He presently serves as founding director of the Curb Center for Art, Enterprise, and Public Policy at Vanderbilt University.
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April 30, 2009 by admin
Claudine Brown wants us to shore ourselves up with knowledge and examples of how much arts and culture are linked to everything we do. With this in mind, she offers us her own kit bag of reasons for sustaining arts and culture programs—and it's a big bag.
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April 30, 2009 by admin
Historical data do not mean anything in this situation. There is no blueprint and there is no network. We are doing the best we can with a combination of hard facts and intuition. Every line item is up for grabs; every $1,000 is material. How we feel about it all depends on which newspaper we read that morning.
—Managing Director, large performing arts group

Introduction

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April 30, 2009 by admin

Many of the feature articles in this issue offer tools for responding to GIA Executive Director Janet Brown's call to speak up, to not sit silently in the back but to stand up and illustrate or make the case for why arts and culture matters.

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