Theater

September 30, 2008 by admin

2007, 29 pages. Creative Trust, 215 Spadina Avenue, Suite 129, Toronto, ON, M5T 2C7, (416) 506-9047, www.creativetrust.ca

http://www.creativetrust.ca/download/CT_Evaluation_Report_Year3.pdf

arts, inc.

August 31, 2008 by admin

2008, 328 pages. Published by University of California Press

May 31, 2008 by admin

2007, 57 pages. The Boston Foundation, 75 Arlington St., Boston, MA, 02116, (617) 338-1700, www.tbf.org
PDF online: www.bostonindicators.org

May 31, 2008 by admin

A working session to review the Coalition's draft publication, "A National Blueprint for Emergency Preparedness, Relief and Recovery for Artists," and other Coalition works in progress. Also, discussion of a draft plan to give grantmakers better resources for learning about emergency readiness, response, and recovery, and to improve and coordinate safety nets for artists during regional or national emergencies.

Cornelia Carey, Craft Emergency Relief Fund (moderator); Carolyn Somers, Joan Mitchell Foundation (interlocutor).

May 31, 2008 by admin

2004, 55 pages. ArtsMarket, 1125 W. Kagy Blvd., Suite 100, Bozeman, MT 59715, (406) 582-4766, www.artsmarket.com

Endowments and Arts Organizations

May 31, 2008 by admin

A discussion of “The Grasshopper or the Ant: A Review of Endowment Giving Policy Options,” a paper by Russell Willis Taylor that challenges assumptions, examines costs and benefits of raising and managing an endowment, and considers the capacity and expertise needed to do it well.

Russell Willis Taylor, National Arts Strategies (presenter, moderator); Ben Cameron, Doris Duke Charitable Foundation; Gene Lesser, Hans G. and Thordis W. Burkhardt Foundation; Gayle Morgan, Mary Flagler Cary Charitable Trust (interlocutors).

Understanding Boston

May 31, 2008 by admin

2007, 79 pages. The Boston Foundation, 75 Arlington Street, Boston, MA 02116, (617) 338-1700, www.tbf.org
PDF Online: www.bostonindicators.org

May 31, 2008 by admin

Is a trend developing that favors drawing foundation leaders from the for-profit sector rather than from philanthropy or the nonprofit sector? If so, does it change senior grantmaking staff's challenges and opportunities? Would a more corporate view of private philanthropy affect how foundations view the arts?

Creative Capital

May 31, 2008 by admin

2007, 33 pages. City of Santa Monica, Community and Cultural Services Dept., 1437 4th Street, Suite 310, PO Box 2200, Santa Monica, CA 90407

Evaluation. Good to Great.

May 31, 2008 by admin

When assessing the results of the work of arts organizations, do we measure the right things? Can we measure whether the art itself is good? This continues a dialogue that began in GIA Reader, Vol. 17, No. 3.

Bruce Sievers, Skirball Foundation; Diane Ragsdale, The Andrew W. Mellon Foundation (co-presenters, moderators); Suzanne Callahan, Dance USA (interlocutor).