Community Foundation

National Arts Journalism Program, Columbia University Graduate School of Journalism, 2950 Broadway, Mail Code 7200, New York, New York 10027, 212-854-1912.

Policy Perspectives for Individuals, Institutions, and Communities
Edited by Gigi Bradford, Michael Gary, and Glenn Wallach
2000, 364 pages, $18.95 paper. The New Press, New York.

1995, 14 pages. Roadside Theater, 306 Madison Street, Whitesburg, Kentucky, 41858, 606-633-0108.

The Arts Education Partnership (AEP) is a private, nonprofit coalition of education, arts, business, philanthropic, and government organizations that was formed in 1995 through a cooperative agreement among four agencies: the NEA, the U.S. Education Department, the National Assembly of State Arts Agencies, and the Council of Chief State School Officers. Its purpose is "to demonstrate and promote the essential role of arts education in enabling all students to succeed in school, life, and work.”

The majority of foundation and corporate giving executives value hotels and airlines that implement socially and environmentally responsible practices, according to a new study from The Conference Board, a membership and research organization for business. GIA members were included in the study.

Founded in 1947, the Los Angeles County Arts Commission is a unit of county government housed within the executive office of the county board of supervisors. Each of the five supervisors appoints three commissioners who advise the board on issues of governance, policy, and funding allocation. For fiscal year 2000-2001, the total budget of the Commission is approximately $3,815,000, reflecting a four-fold increase in only eight years. For this year, $1,902,000 has been awarded in grants to 146 organizations.

The need to better understand and articulate the broad societal value of arts and culture is at the heart of a discussion among a growing circle of arts grantmakers and scholars in the U.S.

1999, 316 pages, $22.50 (softcover); New York University Press, New York and London

I have had, with my friend Wes Jackson, a number of useful conversations about the necessity of getting out of movements — even movements that have seemed necessary and dear to us — when they have lapsed into self-righteousness and self-betrayal, as movements seem almost invariably to do. People in movements too readily learn to deny to others the rights and privileges they demand for themselves. They too easily become unable to mean their own language, as when a “peace movement” becomes violent.

1999, 40 pages, $15; National Performance Network, San Francisco, California, 415-666-1870, info@npnweb.org