Corporate Philanthropy

April 2002, 47 pages. Supported by the Doris Duke Charitable Foundation, the Association of Performing Arts Presenters, and the Urban Institute. (Research conducted by the Center on Nonprofits and Philanthropy at the Urban Institute with assistance from the Center for Survey Research at Ohio State University and the Center for Survey Research at Indiana University, Bloomington.) 202-833-7200, paffairs@ui.urban.org

May 2003, 272 pages. Southern Illinois University Press, Robert A. Shanke, Theater in America Series, editor, 800-346-2680 or 618-453-2281, www.siu.edu/~siupress

2002, 116 pages. Larson, Allen, Weishair & Co., LLP, Minneapolis, Minnesota. Distributed by LarsonAllen Public Service Group, (612) 397-3301 or (888) 529-2648, psg@larsonallen.com, Larson, Allen, Weishair & Co., LLP

"Without getting on a soapbox, I would say that dancing is as much a calling as it is anything else. Don't think of it as a career. You're stupid if you do. You've got to have something burning in your gut that you want to express."

When the Council on Foundations meets in Toronto this April, GIA members in attendance will have the chance to meet a fledgling affinity group of Canadian arts funders that is putting together the 1st Canadian Arts Funders Forum.

The Animating Democracy National Exchange on Art and Civic Dialogue
Flint, Michigan, October 9-12, 2003

The following essay was jointly commissioned by Grantmakers in the Arts for its 2002 annual conference and by the Funders' Network for Smart Growth and Livable Communities as one in its series of Translation Papers.

Introduction

Background