Individual Donor
Individual Donor
2003, 336 pages, Jossey-Bass/Pfeiffer, 989 Market Street, San Francisco, CA 94103
Read More...2002, 8-page executive summary. The Chicago Community Trust, 111 East Wacker Drive, Suite 1400, Chicago, Illinois 60601, (312) 372-3356
The Chicago Community Trust, interested in making its arts education grantmaking more focused and effective, decided to get a clearer picture of what was happening in the Chicago Public Schools and in the process created a methodology and reporting format that could easily be adapted for use in other communities.
Read More...2000, 47 pages. Council of Europe Publishing, Cultural Policies Research and Development Unit, (33) 03 88 41 25 81
Read More...2002, 71 pages. RMC Research Corporation in partnership with the Pew Charitable Trusts. Available through the Center for Arts and Culture, Suite 500, 819 Seventy St., N.W., Washington, DC 20001, 202-783-4498.
Read More...Each of the following Web sites is located somewhere on a continuum between the state of the union and the state of the arts.
The Web is a particularly effective medium for creating visual diagrams of events and practices from daily life. According to Paul Miller, one site's creator, we live in a "world of uncertainty." Each of the following sites, in its own way, diagrams an aspect of our uncertain world.
The first site delineates the historical context for current Web projects.
Read More...A labor of love for individuals committed to the significance and potential of media, Why FUND Media is a timely and worthy follow-up to a 1984 publication by the Council on Foundations titled How to Fund Media. Editor Karen Hirsch seamlessly brings together a series of separate chapters written by media arts experts who've based their chapter essays on extensive consultations with field representatives and grantmakers, and on historical research.
Read More...Such thing as flowers bathed by rain
Or patterns traced upon the sea
Or crocuses where snow has lain . . . .
The iridescence of a gem,
The moon's cool opalescent light,
Azaleas and the scent of them,
And honeysuckles in the night.
— African American poet Gwendolyn Bennett, “Sonnet II” 1