Private Foundation

March 3, 2014 by admin

2013, 7 pages, Foundation Center, New York, NY

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February 28, 2014 by admin

One of the most interesting aspects of GIA’s Research Initiative on Support for Individual Artists has been the opportunity to delve deeply into funders’ programs and practices. By its very nature, data collection requires creating categories and standard definitions, and then using this vocabulary to quantify what funders are actually doing.

January 16, 2014 by admin

2014, 19 pages, The Aspen Institute, One Dupont Circle NW, Ste 700, Washington, DC, 20036, 202-736-5800 www.aspeninstitute.org

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November 25, 2013 by admin

2013, 211 pages, The Aspen Institute, One Dupont Circle NW, Ste 700, Washington, DC, 20036, 202-736-5800 www.aspeninstitute.org

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October 30, 2013 by admin

At the GIA 2012 Conference in Miami, the Individual Artists Support Committee hosted a breakfast roundtable conversation to ask funders what they would like our committee to work on throughout the year.

One of the suggestions that rose to the top of the list at that roundtable was that we work to develop a set of resources representing a variety of models of artist awards/grants selection processes. We thought this was a terrific idea, and we quickly organized a subcommittee of diverse funders to create documents that offer a behind-the-scenes look at how our programs work.

June 17, 2013 by admin

The Jerome Foundation, St. Paul, Minnesota, and the Camargo Foundation, Cassis, France, are now operating under a single governance and integrated management structure.

Capitalization Workshops

June 17, 2013 by admin

Grantmakers in the Arts began work on capitalization in 2010. Ever since then we’ve debated not using the word “capitalization,” but it has prevailed. In our work, the term is synonymous with financial health and the resources needed to meet an organization’s mission. In 2010, GIA published recommendations for grantmakers regarding actions they could take that would improve the undercapitalized nature of the nonprofit arts sector.

June 11, 2013 by admin

As a writer who often ponders music and its many audiences, I spend a lot of time thinking about how some artists thrive, while others don’t, in places far from their first home. As listeners, members of an audience, we hear something that feels real, powerful, to us, and we feel connected to the experience of someone who may seem not much like us. From this experience we have a single urgent response: how can we share this with the world? You’ve got to hear this…

February 2, 2013 by admin

January 2013, 36 pages. Evelyn & Walter Haas, Jr. Fund, 114 Sansome Street, Suite 600, San Francisco, California, 94104. (415) 856-1400 http://www.haasjr.org/

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January 11, 2013 by admin

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Public and Private Cultural Exchange-Based Diplomacy (2.2 Kb)