Private Foundation

Working paper writer, Mindy Levine; convening curator, Heather Hitchens

August 2000, 24 pages, Arts International.

2000, 18 pages, Minnesota Public Radio (MPR), 45 East Seventh Street, Saint Paul, Minnesota 55101, (651) 290-1262.

Minnesota Public Radio, as a collaboration between its Civic Journalism Initiative and the program Sound Money, brought together more than 100 individuals, ranging from leading thinkers in the philanthropic field to new Microsoft millionaires, last September for a day-long summit to explore what it thought would be interesting fodder for discussion: the untapped giving potential in the United States.

2000, 46 pages. The McKnight Foundation, 600 TCF Tower, 121 South Eighth Street, Minneapolis, Minnesota 55402, (612) 333-4220.

This monograph celebrates poet Robert Bly with photographs, essays by friends and colleagues, and Bly's own poems. The Distinguished Artist Award, now in its third year, recognizes and celebrates Minnesota artists who have founded and/or strengthened Minnesota's arts organizations, mentored and inspired younger artists, and attracted audiences and patrons who enable art to survive.

November 2000. Benton Foundation, 950 18th Street, NW, Washington, DC 20006, (202) 638-5770.

Cultural Policy Research was the topic of two breakfast roundtables at GIA's 2000 conference in Minneapolis. A combination of scheduled presenters and other participants gave brief summaries of current research underway. The cumulative impact of hearing about so many projects at the same time inspired Reader editors to want to share the reports with our readers. This overview does not pretend to be exhaustive, but rather is a snapshot based on roundtable participation and the ability of the following report contributors to respond quickly to our invitation. We extend many thanks to them.

In summer 2000, junior professionals working in Los Angeles County arts and culture organizations gathered to form the Emerging Arts Leaders (EAL), named to reflect their ambitions of becoming established arts leaders. The group has met bimonthly four times and is in the process of formalizing a mission statement and 2001 activities, one of which is to establish a professional development training program. EAL is composed of about thirty junior professionals from all facets of the arts (artists, arts organizations, grantmakers, for-profit enterprises, and independent consultants).

National Arts Stabilization (NAS) offered the first course in its executive education program in 1997. Originally called Strategic Leadership in a Changing Environment, Strategy is a three-day seminar that, according to the NAS website, provides arts leaders with "a framework for understanding how to:

- analyze the competitive environment,
- identify alternative strategies, and
- integrate mission and strategy."

The remarkable growth of the online sector in recent years can be assessed in many ways — from the rapidly expanding number of wired households (over half are now connected to the Internet) to the sheer explosion of content on the World Wide Web (which now encompasses over a billion pages). Data traffic exceeds voice traffic on the nation's phone lines now, and far more email messages than postal letters are sent every day.

2000 reprint edition, first published in 1992, 296 pages, paper. Arts Extension Service Press, University of Massachusetts, Amherst, ISBN 0-275-94054-3

In each issue of the Reader we intend to include at least one piece in the voice of an artist. Here we've chosen to reprint writer Irene Borger's interview with choreographer Joanna Haigood, from Force of Curiosity, Borger's interviews with past recipients of the CalArts/Alpert Award in the Arts. It is published here with Borger's permission.