Funding Research
Evaluations of arts education programs raise some of the greatest challenges I face in reviewing proposals. Even in a secular age, when people are pressed to describe the nature of art, they come to words like "essence." How do we get to a point where we know that children have learned to make and to encounter that kind of knowing?
Read More...In the spirit of our purported "national dialogue on race," it is appropriate to consider Faces at the Bottom of the Well, long one of my favorites on the topic. We, as grantmakers, certainly need to face this topic along with the rest of the nation. Although women have found a comfortable niche among grantmakers, there is still a considerable shortage of ethnicities in our ranks. As arts grantmakers, we also need to remember that the American arts first recognized in Europe and worldwide were the myriad arts forms of black America.
Read More...Like program officers everywhere, I spend a lot of time immersed in the minutia that pours from one proposal folder after another. How, then, can I keep my eyes on the big picture? Individual programs are evaluated, of course, but how can my colleagues and I measure the overall health of the city's arts and cultural sector? And what about the rest of the city? Where do the arts and artists fit into the city's economy? Our public school system? Housing? My search for the big picture reminds me of the Gauguin painting at the Museum of Fine Arts which asks “Where Do We Come From? What Are We?
Read More...A rather widely shared belief within the foundation community holds that philanthropic resources cannot, will not, and perhaps even should not, be expected to keep up with the growing and changing resource needs of the not-for-profit arts industry. This belief has generated lively discussion among arts grantmakers about the future role of foundations in supporting a healthy nonprofit arts sector in this country.
Read More...The Stevens Group, commissioned by the Otto Bremer Foundation, published All the Way to the Bank: Smart Money Management for Tomorrow's Nonprofits in September. The 115-page book is available by writing to 570 Asbury Avenue, Suite 207, Saint Paul, Minnesota 55104.
Read More...Annual GIA Conference
November 16-18, 1998
Titled "Art Under 21: At the Crossroads of Community and Youth Development," the 1998 annual conference of Grantmakers in the Arts will be held November 16-18 in Chicago. See related article in this issue. For more information call Marion Goldfinger, MacArthur Foundation 312-726-8000.
Call for Roundtable Topics
Read More...What is the financial health of the nonprofit sector and how do arts organizations compare with other nonprofits? A year-long study of the financial health of Illinois state's nonprofit sector — including the arts — provides a tool to begin answering such questions.
Read More...Richard Hugo House is a two-year old literary arts center in Seattle named after the Seattle-born poet and creative writing teacher Richard Hugo who wrote squarely and poignantly about people and places often overlooked. Hugo House offers classes, workshops, events, performances, meetings, as well as simply the time and space to read and write.
Read More...Copies of the report may be obtained from the Alliance of Artists' Communities, 210 SE 50th Avenue, Portland, Oregon 97215
The Alliance of Artists' Communities released American Creativity at Risk: Restoring Creativity as a Priority in Public Policy, Cultural Philanthropy, and Education. The report documents a symposium held in November, 1996 and attended by artists, educators, administrators, critics, and grantmakers.
Read More...May 29, 1998, 116 pages, Theater By The Blind (TBTB), 306 West 18th Street, New York, New York 10011, 212-243-4337, ashiotis[at]panix.com
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