Funding Research
2003, 15 pages. The Urban Institute/Wallace Foundation, www.wallacefoundation.org or www.urban.org
Many grantmakers express a heightened interest in learning more about cultural participation. Research about who participates, what motivates people to participate and the barriers to participation provides valuable data to cultural organizations and funders seeking to broaden, deepen, and diversify audiences for these offerings.
Read More...November 2002, 36 pages. Center for an Urban Future, 212-479-3338, www.nycfuture.org
Read More...2002, 20 pages. Americans for the Arts, 203.371.2830, www.AmericansForTheArts.org
"When we hear talk about reducing support for the arts," writes Robert Lynch, president of Americans for the Arts, "we should ask: Who will make up for the lost economic activity?" The gist of the message of that group's Arts & Economic Prosperity report is simple and catchy: "the arts mean business."
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July 2003, 25 pages. Project on Regional and Industrial Economics, Humphrey Institute of Public Affairs, University of Minnesota, 301 S. 19th Avenue, room 231, Minneapolis, MN 55455, (612) 625-8092
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The Artistic Dividend (1.6Mb)
April 2002, 47 pages. Supported by the Doris Duke Charitable Foundation, the Association of Performing Arts Presenters, and the Urban Institute. (Research conducted by the Center on Nonprofits and Philanthropy at the Urban Institute with assistance from the Center for Survey Research at Ohio State University and the Center for Survey Research at Indiana University, Bloomington.) 202-833-7200, paffairs@ui.urban.org
Read More...During the San Francisco Bay Area's economic boom of the late 1990s and 2000, rising real estate costs challenged its artists and destabilized a number of key arts organizations. The dance field was particularly hard-hit when two important studios containing teaching, performance, and rehearsal spaces closed.
Read More...A labor of love for individuals committed to the significance and potential of media, Why FUND Media is a timely and worthy follow-up to a 1984 publication by the Council on Foundations titled How to Fund Media. Editor Karen Hirsch seamlessly brings together a series of separate chapters written by media arts experts who've based their chapter essays on extensive consultations with field representatives and grantmakers, and on historical research.
Read More...Such thing as flowers bathed by rain
Or patterns traced upon the sea
Or crocuses where snow has lain . . . .
The iridescence of a gem,
The moon's cool opalescent light,
Azaleas and the scent of them,
And honeysuckles in the night.
— African American poet Gwendolyn Bennett, “Sonnet II” 1