Funding Research

Texas is much in the news today. Its environmental record and education reforms are bandied around as political hot potatoes in this year's presidential race. So what has George W. Bush, governor of the state, done for the arts in Texas? Basically, he has kept arts funding stable in the state budget. On a more personal level, the Bushes received the first two state arts affinity license plates (Texas's arts license plates are the most popular affinity plates in the state) and have agreed to serve as co-hosts of the Texas Medal of Arts event in spring 2000.

GIA is pleased to announce the publication of Creative Family Giving in the Arts, the second volume in its series of Field Resource Books. The book portrays a variety of innovative programs of support for the arts and artists, and emphasizes giving by small family foundations and programs that make grants under $10,000. The project was co-chaired by Kathleen O'Grady of the O'Grady Foundation and Mercy Pavelic' of the Heathcote Art Foundation.

The remarkable growth of the online sector in recent years can be assessed in many ways — from the rapidly expanding number of wired households (over half are now connected to the Internet) to the sheer explosion of content on the World Wide Web (which now encompasses over a billion pages). Data traffic exceeds voice traffic on the nation's phone lines now, and far more email messages than postal letters are sent every day.

1999, 36 pages. A report on meetings of The American Assembly on November 13, 1998 at The Getty Center, California and on April 8-9, 1999 at Arden House, New York.

1998, 80 pages; Association of Performing Arts Presenters, 1112 16th Street N.W., Suite 400, Washington, D.C. 20036.

This attractive handbook presents a study of documentation methods from The Arts Partners Program, an audience development initiative sponsored by the Lila Wallace-Reader's Digest Fund. The initiative funded performing artists' residencies during which presenting organizations used a variety of strategies to engage audiences with the resident artists' work.

Quarterly; nonprofit North American subscription rates vary according to budget size and the exchange rate ($104-$156); Henry Stewart Publications, Russell House, London, United Kingdom.

November 1999, 48 pages; John S. and James L. Knight Foundation, Miami, Florida.

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1999, 23 pages. Final report of collaborative research project, Millennium Communications Group, Inc., 58 Salem Street, Andover, Massachusetts 01810.

Although its main focus seems to be on exploring ways of expanding philanthropy among new donors, Philanthropy's Current and New Stakeholders: Building a Common Vision for an Expanded Future also offers some interesting — and disturbing — observations on how traditional philanthropy is viewed.

1999, 128 pages; National Arts Journalism Program, Columbia University Graduate School of Journalism, 2950 Broadway, MC 7200, New York, New York 10027.

There is both good news and bad news in Reporting the Arts, the first comprehensive study of journalistic arts coverage in the United States, recently completed by the National Arts Journalism Program at Columbia University with funding from The Pew Charitable Trusts.