Support for Individual Artists

GIA members have been working together to promote and improve funding for individual artists for over 20 years. The Support for Individual Artists Committee has been one of the most active groups of funders within GIA. Over the years, the committee has been an incubator for such projects as a scan of scholarly research on artist support, a visual timeline outlining the history of artist support funding, major publications, and programs, and the development of a national taxonomy for reporting data on support for individual artists. The committee continues to advise, inspire, and inform GIA’s thought leadership and programming in support for individual artists.

Click here to listen to the latest podcast, and see below for resources.

The Artist as an Entrepreneur Institute

May 31, 2008 by admin

In June 2007, the Broward Cultural Division and the local arts incubator, ArtServe, Inc., implemented the first "The Artist as an Entrepreneur Institute" (AEI) in South Florida. Presented on four consecutive Saturdays, the AEI offered eighteen classes during three full-day sessions and an extra half-day Business Plan Clinic on the final Saturday.

Operating Support Grants

May 31, 2008 by admin

A continuation of the discussion on strategic operating support grants. Do these grants improve an organization's accountability and stability? How do private and public grantmakers sustain the arts ecosystem without creating an over-dependence on any one funder? When providing strategic operating support for organizational change, where does the funder's role end and the arts organization's board of directors' role begin and end?

Accountability vs. Trust

May 31, 2008 by admin

A working session to review the Coalition's draft publication, "A National Blueprint for Emergency Preparedness, Relief and Recovery for Artists," and other Coalition works in progress. Also, discussion of a draft plan to give grantmakers better resources for learning about emergency readiness, response, and recovery, and to improve and coordinate safety nets for artists during regional or national emergencies.

Cornelia Carey, Craft Emergency Relief Fund (moderator); Carolyn Somers, Joan Mitchell Foundation (interlocutor).

Essential Services for Aging Artists

August 31, 2007 by admin

2006, 124 pages. The H. John Heinz III School of Public Policy and Management, Carnegie Mellon University, 5000 Forbes Ave., Pittsburgh, PA 15213

Download pdf: www.heinz.cmu.edu

August 31, 2007 by admin

2007, 19 pages. Dance USA, 1111 16th St NW, Suite 300, Washington, DC 20036, www.danceusa.org

Philanthropy in the 21st Century

August 31, 2007 by admin

2007, 223 pages. The Foundation Center, 79 Fifth Avenue, New York, NY 10003.

In 2006, for its fiftieth anniversary, the Foundation Center's online resource, Philanthropy News Digest, conducted fifteen inter-views with leaders in philanthropy. This book is the collection of those interviews, compiled with an introduction by former GIA board member James Allen Smith

Collaborative Circles

July 31, 2007 by admin

Collaborative Circles: A Review

Frances Phillips

The Force of Curiosity

April 30, 2007 by admin

1999, 556 pages, Alpert Award in the Arts, 1414 Sixth Street, Santa Monica, California 90401.

"Somewhere between tête-à-tête and performance” is the way Irene Borger, program director of the CalArts/Alpert Award in the Arts, describes the interviews with twenty award recipients that are featured in this volume marking the program's fifth anniversary.

April 30, 2007 by admin

December 1997, 77 pages, The Rockefeller Foundation Arts and Humanities Division, 420 Fifth Avenue, New York, New York 10018-2702, 212-869-8500

April 30, 2007 by admin

During the summer of 1996, the National Association of Artists' Organizations (NAAO) conducted a series of "regional think-tank sessions" with NAAO members and their constituencies in twelve cities across the country. A concern heard throughout "A Dozen Dialogues" was the need to develop, nurture, and support artists and arts professionals who are new to the field. As an initial response, NAAO brought together ten young people under the age of thirty who were identified by NAAO members as emerging leaders.