GIA Blog

Ford Foundation, Cannes Film Market Launch Docu Push Against Inequality
Posted on February 3, 2016 by Steve

From John Hopewell, writing for Variety:

The Ford Foundation’s and Cannes Film Market’s networking mini-mart Doc Corner announced Tuesday a two year-partnership to raise global awareness on social justice, working against inequality. Driving to hike the profile, market networking and distribution of social justice docu features at Cannes, the initiative was first mooted months before Hollywood began worrying about an All White Oscars. That debate, however, will only serve to focus more attention on the groundbreaking Ford Foundation-Cannes new push. Partnership establishes a large presence at Cannes for the Ford Foundation’s five-year-old JustFilms, a film financing, social awareness and education program that has backed visual story tellers, new media projects and organizations that work to this end.
Who’s Behind the Barr Foundation?
Posted on February 1, 2016 by Steve

Patti Hartigan of Boston magazine has a profile of the Barr Foundation:

Although the Barr Foundation has given out more than $710 million since 1999, chances are you’ve never heard of it. Until around 2010, donations were largely made on the condition of anonymity. Now that grants are given openly, Barr’s influence is finally visible. Established 29 years ago by Amos and Barbara Hostetter, who founded Continental Cablevision, it started as a kitchen-table family operation: Amos handled the investments, and Barbara managed the programs. In 2016, the foundation has assets totaling $1.6 billion and a mandate to focus its philanthropic endeavors on Boston and the region. Now, suddenly, you can’t turn around without coming across an organization or project bearing the Barr Foundation’s stamp of approval.
Who Should Pay for the Arts in America?
Posted on February 1, 2016 by Steve

From Andy Horowitz at The Atlantic:

The current state of the arts in this country is a microcosm of the state of the nation. Large, mainstream arts institutions, founded to serve the public good and assigned non-profit status to do so, have come to resemble exclusive country clubs. Meanwhile, outside their walls, a dynamic new generation of artists, and the diverse communities where they live and work, are being systematically denied access to resources and cultural legitimation.
Member Spotlight on Bonfils-Stanton Foundation
Posted on February 1, 2016 by SuJ'n

For the month of February 2016, GIA’s photo banner features art and projects supported by the Bonfils-Stanton Foundation in Denver, Colorado. In 2012, Bonfils-Stanton Foundation began the process of shifting support from a broad array of arts, human service, and science/medicine organizations to focusing all of their philanthropic funding to arts and cultural organizations. This grantmaking shift was completed in 2015 and that is when they became a more active member of GIA. In addition to arts funding, the Foundation also supports nonprofit leadership through its Livingston Fellowship Program.

Barr Foundation President Looks Forward
Posted on January 27, 2016 by Steve

James Canales, President of the Barr Foundation, posts about the foundation's next chapter:

One year ago, we introduced Barr’s new mission statement: To invest in human, natural, and creative potential, serving as thoughtful stewards and catalysts. Together, with the core values and approach to philanthropy articulated by our trustees, these principles provided the basis for planning across Barr’s core programs of Arts & Culture, Climate, and Education. I am excited to share the results of that planning.
Artist Janis Ian Discusses Recent Work and Philanthropy with John Killacky
Posted on January 27, 2016 by Steve

John Killacky interviews Janis Ian for vtdigger.org:

In 1969, Alma Routsong, under the pen name Isabel Miller, self-published a historical romance novel based on a true story of two lesbians in early 19th century New England. A folk painter and a young woman from a poor farming family fall unabashedly in love and forge a life together in Patience and Sarah. The book was awarded the first American Library Association’s Stonewall Award in 1971.

Read the full interview.

New from the GIA Reader: Democratizing Education: Democratizing Leadership?
Posted on January 27, 2016 by Steve

In Democratizing Education: Democratizing Leadership?, an article from the latest issue of GIA Reader, Dallas Shelby and Gail Crider, from National Arts Strategies, look at the massive open online courses (MOOCs) and their effect on the development of leadership in the arts and culture sector.

Future of Kentucky Arts Council Uncertain
Posted on January 26, 2016 by Steve

From Sam Neace, writing for the Hazard-Herald:

Late last week rumors of Gov. Bevin cutting funding for the Kentucky Arts Council began circulating through social media. The Lexington Herald-Leader and the Courier Journal gave weight to this topic by publishing reports about the rumors over the weekend. Neither newspaper denied the possibility that the rumors could be true. Although it is still unknown at the time this article is being published whether or not Gov. Bevin does indeed plan to cut the KAC, several groups in the Mountain Region are worried about the effects such an action could have on arts related projects in their communities.
APAP Presents MK Wegmann With Fan Taylor Distinguished Service Award
Posted on January 22, 2016 by Steve

The Association of Performing Arts Presenters (APAP) have named MK Wegmann with the Fan Taylor Distinguished Service Award for exemplary service to the field of professional presenting. The award was presented on January 18 at the APAP|NYC Conference. Wegmann is President & CEO of National Performance Network, a position she has held for 15 years, but announced last fall that she will retire in the summer of 2016.

New Report Checks Boston Arts Funding With Major American Cities
Posted on January 22, 2016 by Steve

With Boston’s Mayor having just announced new funding for the city’s arts community, a new report — commissioned by The Boston Foundation and prepared by the consulting and research firm TDC — examines the current state of Boston’s arts community in places it in the context of 10 other cities. “How Boston and Other American Cities Support and Sustain the Arts” finds that Boston had a very broad and deep arts community for a region of its size.