Roberto Bedoya's guest-blog post last month for the Engaging Matters blog raised questions that carried the discussion to other blogs, including a pair of great posts from Nina Simon from her Museum 2.0 blog and Clay Lord from his New Beans blog:
GIA Blog
From Katie Koch for The Harvard Gazette:
Gladstone Payton posts to ARTSblog on the latest information regarding the effects of the sequester on arts and culture funding:
This sequester, totaling $85 billion, will reduce funding to almost all areas of domestic social programs by about 5 percent, which would mean about $7.3 million at the NEA.
Beginning in 2013, ten St. Louis artists will each be awarded a $20,000 Fellowship. This new funding of individual artists from the Regional Arts Commission of St. Louis (RAC) is based on the results of Artists Count, a comprehensive survey of regional artists and creatives which was conducted and analyzed by William Cleveland, principal of the Center for the Study of Art and Community along with his research associate Dr. Patricia Shifferd. The Kresge Foundation funded the survey.
“This is a sea change for RAC because we only have funded nonprofit organizations and consortiums since we were created in 1985,” said Jill McGuire, executive director of RAC. “This decision is in step with our visionary plan to support an environment in which artists are valued and thriving as part of a robust creative community.”
The Association of American Cultures (TAAC) has a call for session proposals out for Open Dialogue: People, Places, and Policy. Deadline for submitting a proposal is Monday, March 25. The event will take place August 2-4, 2013 at the Providence Biltmore Hotel in Providence, RI.
The McKnight Foundation's arts program officer, Laura Zimmermann, also a member of the GIA Board of Directors, will will step down from her position in May, according to this note from Vickie Benson, Arts Program Director:
EVALUATION IN ACTION! is a series of four webinars to be presented in the coming months by Animating Democracy, and co-presented by M. Christine Dwyer of RMC Research with guest arts practitioners and evaluators. The goal of the series is to sharpen evaluative thinking and build confidence and can-do capacity in evaluation methods that produce meaningful, useful information.
From Caroline Preston at The Chronicle of Philanthropy:
From Eleanor Goldberg, writing for Huffington Post:
A thoughtful overview of the CDP by Talia Gibas and Amanda Keil posted on Createquity.