Blogger Tram Nguyen offers some of her initial takeaways following the 2018 GIA Conference in Oakland, California:
GIA Blog
I got up at 6:00 AM on the final day of the conference to attend a 7:30 AM session (ouch!) on Impact Investing in the Creative Economy. For most of us in the room, impacting investing was a newer concept. We were eager to learn about the diversity of resources available to build and sustain art-making endeavors through both philanthropic and investment opportunities.
Blogger Lara Davis reports on day one (Monday) at the GIA Conference in Oakland
Today’s post focuses primarily on young people and the arts, and artists, with a little bit of, well, everything that’s inspiring me.
My first GIA conference is over, and I am so glad for the opportunity to be part of this one, focused on Race, Space, and Place, taking place in my adopted hometown of Oakland, California. Overwhelmingly, what I’ve taken away is a sense of optimism and excitement at the new discovery (for me) of such a vibrant and dynamic world of arts and culture strategists, funders, creators, workers, wonks, and change agents committed to social justice. I’ve been poring over Oakland’s Cultural Development Plan in my spare time since the conference, and found its guiding vision to be so profound: Equity is the driving force. Culture is the frame. Belonging is the goal.
GIA Conference blogger Lara Davis turns in her initial notes on the 2018 GIA Conference in Oakland, California.
When I walk the streets of downtown Oakland to attend various conference sessions, I think of Angela Davis who wrote about art on the frontlines, cultural organizing at the intersection of art and activism – people’s art as she deemed it, as exemplified by struggles for Black liberation which have always been steeped in musical, artistic, and cultural narratives.
GIA Conference Blogger Tram Nguyen reports from the preconference, Culture at the Intersection of Race, Space, and Place, that took place on Sunday, October 21, in Oakland, California.
Today’s post focuses primarily on young people and the arts, and artists, with a little bit of, well, everything that’s inspiring me. First, I want to take a moment to share some sage advice I received at breakfast as I was making choices about what sessions to attend. There’s not always congruence between what I should attend based on the work I do, and what I may want to attend. In the end, I decide to lean into inspiration, trusting what moves me. I thank Dr. Anh Thang Dao-Shah (Senior Racial Equity and Policy Analyst, San Francisco Arts Commission) for reminding me to:
Well, I’m not actually in Oakland at the moment but am writing this blog from the International House Library on the University of California, Berkeley campus where I’m staying as a guest in the Ambassador Suite. That’s right, friends. I went to the 2018 GIA Conference in Oakland and ended up reliving my college days at a school I would love to have attended. My first visit to UC Berkley was in 2011, accompanying the Seattle Youth Speaks team to Brave New Voices, the annual youth international poetry slam competition – a monumental event filled with creative expression, arts, education, civic discourse and social justice pedagogy. During that trip, I witnessed Bobby Seale, co-founder of the Black Panther Party for Self-Defense speak on campus to an eager intergenerational crowd of students, artists and community.
Sitting here in the second half of the day at the preconference session for “Culture at the Intersection of Race, Space, and Place,” my overriding takeaway is about the transformative power of the arts. Let me explain what I mean by that. It seems like everywhere you turn these days in the social justice/progressive nonprofit world, the catch phrase is “transformative not transactional change.”
GIA Conference blogger, Tram Nguyen reports from the conference, happening now in Oakland, California:
The preconference session on “Culture at the Intersection of Race, Space and Place” has my worlds colliding this Sunday morning in downtown Oakland.