Grantmakers in the Arts

June 6, 2017 by Monica

A recent article from The McKnight Foundation highlights the thriving arts community in rural Fergus Falls, Minnesota:

In what has become a national model, artists in Fergus Falls worked within their communities to create a meaningful, vibrant, and equitable place. According to the 2017 Creative Minnesota report, the economic impact of the arts and culture activity in Fergus Falls alone is nearly $3 million every year.
June 1, 2017 by SuJ'n

For the month of June, GIA’s photo banner features work and artists supported by Boise City Department of Arts & History (A&H). Created in 2008, A&H supports public art, cultural programs, history programs, cultural sites, and the care and conservation of Boise cultural assets. Boise’s Percent-for-Art funding helps assure A&H’s ability to serve an advisory role to a $50 million local arts and history industry.

May 31, 2017 by Monica

The most recent installment of the Otis Report on the Creative Economy of California, supported by the California Arts Council, takes a deep dive into California’s creative industries; more specifically, into their impact on the state’s economy. This year, California Arts Council funded an addendum to the report on the need for affordable housing and workspaces for artists, offering solutions for the future.

May 31, 2017 by Monica in Support for Individual Artists

From The New York Times:

Audible, the digital audiobook giant, announced Tuesday that it would create a $5 million fund to commission new works from emerging playwrights — not for the stage, but for people’s headphones and speakers.

As audio fiction seems to be having a moment, in the realm of podcasts, Audible plans to draw from the vast pool of young writers to create one- or two-person plays. They will be available beginning late this year, the company said.

May 31, 2017 by Monica

Christy Morse, CEO of Margaret A. Cargill Philanthropies (MACP) and board chair of the organization’s grantmaking entities, announced that after more than 20 years of leading the organization, she is stepping down from her role as CEO.

Current MACP president, Paul Busch, will assume the CEO role on July 1, 2017, while Christy will remain as CEO Emeritus through January 31, 2018, when she will formally retire as CEO. Christy will continue serving as board chair of Margaret A. Cargill Foundation and Anne Ray Foundation, leading the efforts of each board in developing organization strategies, evaluating funding priorities, and assessing program effectiveness.

May 30, 2017 by Monica

The William and Flora Hewlett Foundation has approved funding for a second cohort of a new program that supports long-time executive directors who are planning a transition. The program, called What’s Next: Leading a Thriving Transition, is administered by Third Sector New England. Leadership transitions — especially those of long-time leaders — can raise specific challenges and opportunities for executives, boards, and the organizations they lead.

May 25, 2017 by Monica in Arts Education

From Education Week:

President Donald Trump's full budget proposal for the U.S. Department of Education, released on Tuesday, includes big shifts in funding priorities and makes cuts to spending for teacher development, after-school enrichment, and career and technical education, while ramping up investments in school choice.

A $1 billion cash infusion for Title I's services for needy children would be earmarked as grants designed to promote public school choice, instead of going out by traditional formulas to school districts.

May 24, 2017 by Monica

Animating Democracy, a program of Americans for the Arts, has released a new framework for evaluating creative work at the intersection of arts and civic engagement, community development, and justice. Aesthetic Perspectives: Attributes of Excellence in Arts for Change presents eleven artistic attributes that “address the potency of creative expression to embody and motivate change.” The framework aims to elevate aesthetics in civically and socially engaged art, help describe and assess the work, expand criteria for considering aesthetics in the work, address historical domination of Euro-American aesthetic standards, and promote deeper appreciation of the rigor required for effective creative work.