After more than a decade as the executive director of the Arizona Commission on the Arts and a 40-year career in the arts field, Robert C. Booker will retire from his current position on August 7, 2017. He will be succeeded by Jaime Dempsey, who has served as the agency's Deputy Director since 2006. Booker served as chair of the Grantmakers in the Arts board of directors from 2015–2016.
Grantmakers in the Arts
President Trump has released the full version of his 2018 budget plan. From artnet News:
According to a CNN report, which cites an outline of the budget released last night, the proposal “doubles down on some largely symbolic cuts” first rolled out by the administration earlier this year, including the elimination of the NEA. As usual, however, Congress remains intent on writing its own budget, so Trump’s plan is unlikely to go far on Capitol Hill. Trump’s proposal, CNN notes, is more a statement of policy than a practical budget that is expected to be adopted in full.
A policy brief published by The Brookings Institution discusses how states can approach measurement of arts education in implementing the Every Student Succeeds Act (ESSA):
William D. Adams, the tenth chairman of the National Endowment for the Humanities, announced today his resignation from the agency, effective Tuesday, May 23, 2017. In a brief statement to staff, Adams expressed his gratitude for the opportunity to serve as the chairman of NEH and his admiration for the work of the agency. Deputy Chair Margaret Plympton will serve as acting chair.
On June 14, the National Committee for Responsive Philanthropy (NCRP) will host a webinar highlighting what national grantmakers can learn from ALAANA-led social movements and philanthropic institutions in the South:
The South is already home to a strong ecosystem of people-of-color (POC)-led philanthropic institutions that can help drive resources for racial and social justice. This webinar will explore the crucial role of POC-led philanthropy in the South, with an emphasis on the powerful potential for significant impact not only in the Southern region, but nationally.
A recent article in The New York Times discusses the modern-era revival of artist patronage, with individuals giving sustained support that funds an artist’s overall career rather than a specific project. The article discusses the impact of sustained funding as an artist develops, how this current trend differs from Renaissance-era patronage, and how online platforms like Patreon enable artists to garner sustained support from individuals across the world.
Massachusetts College of Liberal Arts has released a working paper detailing progress on a pilot project funded by the National Endowment for the Arts to increase access to arts education in rural Massachusetts. This working paper shares highlights of research conducted as part of the project, including impediments that prevent arts education from being fully utilized in rural areas, and promising practices for increasing access to arts education in rural areas. It also shares insights from a subsequent convening aimed at generating cross-sector collaboration on the subject.
Steven J. Tepper, dean of the Herberger Institute for Design in the Arts at Arizona State University, recently presented the keynote address at ArtsFund's 29th Annual Celebration of the Arts Luncheon. His speech titled “Creativity, Education, and Work in the 21st Century” makes the case for the vital necessity of creativity in today’s society as we face unprecedented rates of growth and change. Tepper was also a keynote presenter at the 2014 GIA Conference in Houston, Texas.