GIA Reader, Vol 31, No 2 (Summer 2020) | Grantmakers in the Arts

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GIA Reader, Vol 31, No 2 (Summer 2020)

On the Cover
Tijay Mohammed, We the people: matter most (2016), Fabric, 55"x 40"

Ghanaian-born artist Tijay Mohammed has exhibited his work nationally and internationally and has centered his work in New York around community-based practices. He currently resides in The Bronx.

Contents of GIA Reader, Vol 31, No 2 (Summer 2020)

Special Section

Relationship of Data and Funder Practice: Supporting Individual Artists with an Equity Lens

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by GIA Support for Individual Artists Committee

Readings

Mítákuye Oyás’in: Our Approach to “Taking Back Tribalism”

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Obligations 2 (poem)

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Layli Long Soldier

Creating Racial Equity in New York City’s Most Segregated Borough

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Elizabeth Bennett

Supporting Southwest-Based Latinx Dancemakers: Reflections on Dance in the Desert 2019

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NCAPER Recommended Principles for Arts Funding in the COVID-19 Crisis and Other Crises

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Amy Schwartzman, Ted Berger, Kay Takeda, Tom Clareson, Ruby Lopez Harper

Migration (poem)

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Indigenous Mobilization During Pandemic Times

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Gaby Strong, Sarah Manning

A Pandemic, a Movement, and an Agenda for Change

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Sharnita C. Johnson, Randy Engstrom

Embedded Art and Culture Is Essential to Our Healing

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Ariana Faye Allensworth, Terra Graziani

A New Standard for Arts and Culture Organizations Advancing Community Revitalization

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Kim Zeuli, Seth Beattie

Grass Growing through Concrete: Identifying Assets, Needs, and Funding Opportunities for Small Arts Organizations

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by Naturally Occurring Cultural Districts NY (NOCD-NY)

Contending for Dream Space: Why Cultural Strategy?

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by Intelligent Mischief

Explore Solidarity Economy resources here

Future of the Field: Cross-Sector Creative Placemaking Series

Video from the GIA 2021 Conference are now available for streaming.

The Racial Equity Coding Project: Unpacking The “Why”

In this first of a three-part discussion, we are joined by Susan Feder, Adam Fong, and Maurine Knighton, as they discuss the Racial Equity Coding Project, why it was started, their experience with the earliest iterations of the coding measures, and how their reflections will inform steps forward.