Dance

May 31, 2008 by admin

There are few moments in life when you get to experience a series of "firsts." That thought occurred to me in the Albuquerque airport as a first-time visitor to New Mexico, as well as a first-time attendee to both the GFE and GIA conferences.

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May 31, 2008 by admin
How can funders apply what they know about changes in the external environment—in demographics, use of free time, use of disposable income—to best serve and stabilize theaters and other mid-sized arts groups?

Sue Coliton, Paul G. Allen Family Foundation (moderator); Nancy Fushan, Bush Foundation; Lawrence Thoo, San Jose Office of Cultural Affairs; Ben Cameron, Doris Duke Charitable Foundation (interlocutors).

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October 31, 2007 by admin

When funders move into indigenous communities they tread a very fine line. On one side of the line they have a duty to undertake sufficient investigation to ensure that they properly understand a funding request and their own role in relation to it. On the other side, obtaining the information may conflict with the ability to acknowledge and give appropriate respect to the applicant's indigenous culture and its bounds.

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August 31, 2007 by admin

2007, 16 pages. Washington State Arts Commission, 711 Capitol Way, Suite 600, PO Box 42675, Olympia, WA 98504, 360-753-3860, www.arts.wa.gov

Download pdf: www.arts.wa.gov

The Washington State Arts Participation Initiative (API) was established in 2002, and provided fifteen model organizations around the state with modest multi-year grants designed to strengthen participation in the arts. Those chosen were all serving underserved communities

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August 31, 2007 by admin

2007, 19 pages. Dance USA, 1111 16th St NW, Suite 300, Washington, DC 20036, www.danceusa.org

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August 31, 2007 by admin
Last year AEA Consulting developed the working paper “Critical Issues Facing the Arts in California” for the James Irvine Foundation. Since its release, the report has generated extensive conversations and responses, both within and beyond California. GIA invited Adrian Ellis, principal of AEA Consulting, to offer further thoughts on the current state of the arts in the United States.
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August 31, 2007 by admin
In the weekend leading into the 2007 Taos Journey conference, members of Grantmakers in the Arts and Grantmakers for Education will spend two days together in Santa Fe seeking better understanding of one another's priorities in arts and education—finding common ground. In the spirit of building this bridge between education and the arts, we sought an educator rather than an artist, a practitioner rather than a researcher, to write about arts education.
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August 31, 2007 by admin
For decades the prolific Jack Loeffler has attended to the sounds of New Mexico—sounds from nature, conversation, song, and storytelling—while also hanging out with its legendary iconoclasts and characters. Loeffler's extensive recordings, chronicles, and transcriptions have contributed to the revival of the traditional music of New Mexico. We invited Loeffler to steep us in the place through his medium of sound.
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August 31, 2007 by admin
As conference co-chairs, neither of whom has lived in New Mexico, we were told that the story of art in New Mexico is a story of place, that the region—its landscape, its convergence of cultures, its sacred spaces—defines what and how art is made. We turned to a number of New Mexico artists and writers to give us their inside views of this remarkable region. Among them is Chrissie Orr, a transplant from Scotland, who makes work informed and formed by New Mexico's physical environment.
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