Film and Media

Artist Space Development: Making the Case

April 30, 2009 by admin

2007, 56 pages. Urban Institute, 2100 M Street NW, Washington, D.C., 20037, 202-833-7200, www.urban.org

http://www.urban.org/UploadedPDF/1001176_asd_case.pdf

April 30, 2009 by admin

2008, 24 pages. The Wallace Foundation, 5 Penn Plaza, 7th floor, New York, NY, 10001, 212-251-9700, www.wallacefoundation.org

http://www.wallacefoundation.org/SiteCollectionDocuments/
WF/Knowledge Center/Attachments/PDF/arts-for-
all-connecting-to-new-audiences.pdf

Midwestern Voices and Visions

April 30, 2009 by admin

2009, 40 pages. Published by the Alliance of Artists Communities, 255 South Main Street, Providence, Rhode Island, 02903, 401-351-4320, www.artistcommunities.org

http://www.artistcommunities.org/files/files/
MidwesternVoicesAndVisions.pdf

Art and Upheaval

April 30, 2009 by admin

Art and Upheaval: Artists on the World's Frontlines, William Cleveland, 2008, 334 pages, New Village Press, Oakland CA

April 30, 2009 by admin

Teaching Artist Journal; Taylor & Francis Group, LLC; Nick Jaffe, editor.

Funder as Supplicant

April 30, 2009 by admin

As a program officer at The San Francisco Foundation, I say “No” to artists and arts organizations daily. I try to soften the blow, detailing the reality of limited resources and an overabundance of projects, seldom discussing quality or appropriateness, thinking I am kinder in vagueness.

A New Conversation about Culture

April 30, 2009 by admin

Bill Ivey chaired the National Endowment for the Arts from 1998 through 2001, directed the Country Music Foundation from 1971 to 1998, and was twice elected chairman of the National Academy of Recording Arts and Sciences. He presently serves as founding director of the Curb Center for Art, Enterprise, and Public Policy at Vanderbilt University.

April 30, 2009 by admin

Claudine Brown wants us to shore ourselves up with knowledge and examples of how much arts and culture are linked to everything we do. With this in mind, she offers us her own kit bag of reasons for sustaining arts and culture programsand it's a big bag.

Puget Sound Funders Act Together

April 30, 2009 by admin

Historical data do not mean anything in this situation. There is no blueprint and there is no network. We are doing the best we can with a combination of hard facts and intuition. Every line item is up for grabs; every $1,000 is material. How we feel about it all depends on which newspaper we read that morning.

Managing Director, large performing arts group

Introduction

Why Arts?... Why Arts!

April 30, 2009 by admin

Many of the feature articles in this issue offer tools for responding to GIA Executive Director Janet Brown's call to speak up, to not sit silently in the back but to stand up and illustrate or make the case for why arts and culture matters.